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Mary Worth, 3/17/17

Look, I understand that in these troubled time for publishing, media properties have to do all they can to come up with new and creative sources of revenue. I just don’t think it’s appropriate to let the cruise industry buy long stretches of enthusiastic dialogue in Mary Worth like this. This only thing missing here is Dawn or Tommy or some other condo resident wandering by and saying “Hey, I couldn’t help but overhear that you were talking about taking a cruise! Did you know that the threats from norovirus and Legionnaire’s Disease to passengers are vastly overhyped as part of the liberal media’s anti-cruise-industry agenda?”

Mary and Tobey should should be extolling the dining possibilities aboard top-of-the-line cruise ships. Sure, the buffets might leave a little to be desired, but they’re leaps and bounds ahead of the nutrient-rich but bland “Charterstone Chow” pellets they’re eating for lunch today.

Crankshaft, 3/17/17

Remember, Crankshaft is supposed to be the “fun” Funkyverse strip, which means its punchlines are meant to be broader and less grounded in reality. Unfortunately (or maybe extremely fortunately), the art style is still infected by omnipresent Funkyverse gloom-realism, which means that this week’s strips, about how silly it would be if a beekeeper gave rum balls to bees and they got a li’l tipsy, have now climaxed with Crankshaft looking genuinely terrified that he’s about to be hauled off to jail.

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Hagar the Horrible, 2/26/17

The half-fish sea-witches who live just offshore from Hagar’s village have a ravenous hunger for human flesh. There’s only one defense against them: because they are immortal, the sight or smell of any dead thing repulses them and keeps them at bay. Hagar is suffering here to defend his people!

Panels from Barney Google and Snuffy Smith, 2/26/17

In the grinding rural poverty of Hootin’ Holler, even the children’s games stick close to the foundation of Maslow’s hierarchy of needs.

Crankshaft, 2/26/17

As well you shouldn’t, Crankshaft! Literally everybody dislikes you!

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Spider-Man, 1/16/17

Say, what’s been going on with the Amazing Spider-Man lately? Welp, that space capsule he got dressed to open up contained beloved Guardian Of The Galaxy Rocket Raccoon, returning this May to theaters everywhere thanks to CGI and Bradley Cooper’s golden voice! Now he and Spidey and MJ are off on a wacky road trip to catch Ronan, the Accuser, but first, they must defeat their greatest enemy: sleepiness.

Shoe and Slylock Fox, 1/16/17

Here we have pretty firm proof that Shoe and Slylock Fox take place in different universes. In Shoe, the bird-people built up their civilization themselves, and within living memory: only a few generations ago, they lived in nature, like the birds we know. We can assume that any similarity between their material culture and ours can be chalked up to convergent development. Slylock and his sapient animal counterparts, on the other hand, are clearly living in the cities that humanity built, riding New York’s subway and marveling at the Statue of Liberty in the harbor (do they think her a dead Goddess of a vanished race?). But the construction crane seems to indicate that the animals are at last beginning to put their own imprint on the city; maybe in a century or two all evidence of humanity will be finally lost.

Crankshaft, 1/16/17

I think it’s important to remember that even those artists we think of as driven by pure, inner genius functioned in a larger society and economy and had to cater to a certain extent to popular tastes. In this sense they’re different from comic strip creators, who can apparently just go with smug, unfunny punchlines with no obvious appeal to anybody.