Archive: Gil Thorp

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I’ve been remiss in thanking our very own Islamorada Girl (who sent it) and our very own Beasley (who appraised it) for a fab wedding gift I received a few days ago: the Sunday comics section from the Baltimore American on April 26, 1942. My reactions?

  • “Wow, every comic got, like, half a page each!”
  • “Wow, everybody’s in the army!”
  • “Wow, the Phantom sure used to be a lot more racist!”

Fortunately, except for the kids being younger, Blondie hasn’t changed much:

There’s a breast-feeding joke here somewhere, but I’m too classy to really go for it.

I’m taking a quick trip back to see the family in Buffalo this weekend. I’d say that it would interrupt the flow of comics, but that flow got interrupted quite nicely this week without any trips, now, didn’t it? So let’s just say that I’m going to take a pass on Saturday and Sunday’s comics, unless something really wacky happens, like more hand-jiving.

Stuff to entertain and/or distract you while I’m gone:

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So I slacked off the whole weekend, going off “having fun” and “enjoying myself” instead of posting comics for your amusement. O the shame! And during such a wacky weekend for the serials, too. Here’s a quick recap, one panel at a time:

Tommie and Lu Ann showed off their synchronized head bobbling.

“Brick” House showed off his vocabulary.

Mimi let her cloaking device briefly disengage and showed off the steel hair and terrifying, alien visage that keeps her EON minions in line.

Dr. Jeff showed off his mastery of platitudes.

And Spider-Man showed off … well, I’m not really comfortable talking about what Spider-Man showed off.

Meanwhile, in da hood…

Curtis, 10/17/05

Holy cow, Curtis is getting interesting! First it gets rid of one side of the comics’ least interesting love triangle, then it takes on gun-fueled school violence! No doubt by the time you read this you’ll know who’s holding that gun, but right now I’m on tenterhooks. Is it Chutney? Gunk? Barry? Or just another kid who listened to a little too much “Fortyounce” or “Bullet-Wound,” which is going to result in a Valuable Lesson About Media Violence?

Oh, and speaking of boring love triangles and violence:

Luann, 10/17/05

Yeah, just visiting a pal … in the back seat of his moving car! Seriously, did Dirk just materialize behind Brad completely unbidden and announced? Am I missing something here? Is the Dirk storyline going to be resolved in the only way that will make it all worthwhile: with the revelation that “Dirk” is a figment of Brad’s imagination, a representation of his untrammeled, unrepressed id combined with his repressed homoerotic fantasies? A guy can dream, can’t he?

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