Archive: Judge Parker

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Daily continuity strips have to fiddle with time to tell their stories. And anybody with an idle hour, a links page or utility and a refreshing beverage can figure out how they manage it. Let’s give it a go!

Judge Parker, 6/19/2008

It’s morning in Judge Parker! This strip moves so slowly, characters could sit on the porch and watch continents drift by. Here’s the chronology since the last appearance of the Esteemed Eponym himself — on November 28, 2006:

1/1/2007 — Goodbye, Abbey and Neddy!
2/5/2007 — Off to school, Neddy!
6/18/2007 — Off to California, Sophie and Sam!
8/6/2007 — Mornin’, Trudi!
10/29/2007 — ‘Bye, Rusty!
1/7/2008 — Mornin’ Abbey!
3/24/2008 — Off to work, Steve!
6/16/2008 — Elvira in the news!

Did I miss any? Let me know at bio@jfruh.com. At a little over two months per day, those evenings with Abbey (or Trudi, or Rusty, or — God help us — Rachel) come waaaaay too far apart — but they last a good long time. Not that any of that makes the slightest difference to Sam.

Mary Worth, 7/5/2006

To measure glaciers’ progress, climatologists poke sticks in them, then return to see a pile of wet sticks on the ground. how far they’ve moved. But to meter the agonizing peristalsis of Mary Worth, we must employ prunes.

Above, Mary prunes in a scene of regularity and contentment. Her life is as it has always been: quiet, refined, her presumptuous intrusions into the lives of others unchallenged, out of her victims’ stark terror. A new conquest waits in the shadows, but like a spider she bides her time.

Mary Worth, 6/19/2008

Less than two years later, as a second prune struggles its way to the light, so much has changed. As evidenced by her distress in the right panel, Mary’s life has become irregular, pinched, beset with ructions! Her disastrous rejection of Aldo’s simple affection, her meddling outshone by Ella Byrd’s clairvoyance, her contributions reduced to improving the lot of stray dogs, the public humiliation of her long-time partner — Mary’s life is falling apart. She stands at the brink, and only the tissue of her self-deception keeps her from the abyss.

Karen Moy! Give her a nudge, won’t you? Just a little one? For us? We love you, you know! And we’re quite sure you’ll feel much better afterwards!

Funky Winkerbean, 6/19/2008

OK, Tom Batiuk’s time management skills lead this pack. He slow-paces a set of characters (high-schoolers, young adults) until he outgrows them, then “leaps” — or rather, sheds the time discrepancy that’s built up. Except that this most recent leap has been a muddle — characters age inconsistently, and sad-sack author-proxy Les, here, seems hell-bent on living in multiple pasts: his nightmare adolescence, his absurdly, hilariously tragic marriage. Get it together, pal — one more leap and you’re Crankshaft.

For Better or For Worse, 6/19/2008

I throw up my hands (and oh, so much else) trying to figure out what this strip is trying to do. Last year, they announced and then utterly botched a “freeze” (sort of the antithesis of Batiuk’s leaps). This year, they’re mixing messages about hybrids, weddings, August, September. I would stop paying attention except for the nagging suspicion that despite the near-undetectable pulse of this strip, it’s going to outlive us all.

Maman, may I have my cup of tea now? And one of those little shell cookies? S’il-vous plaît?

— Uncle Lumpy

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Everybody nags writers, “Show, don’t tell.” But when the showing fails and the deadline draws nigh, telling will have to do.

Judge Parker, 6/16/2008

For days, we’ve been speculating, “Terrorist plot or drug bust — which will appear in the newspaper?” The answer? Not this strip, if you keep this up. And hey — the maid gets
the inside seat in the breakfast nook? How does that work?

Mary Worth, 6/16/2008

Here’s another newspaper comic about what appears in a newspaper. But don’t worry — the narration box helpfully explains that the newspaper photo is misleading. Taking Mary’s side, of course.

The Phantom, 6/16/2008

Ignoring the convenient ladder, the Ghost-Who-Showboats speculates about how awesome his awesome feat will look when it appears in print. As though anybody’s going to look past the first panel.

Spider-Man, 6/16/2008

Spidey’s narration box is as baffled as we are. And perhaps as bored.

Mark Trail, 6/16/2008

The second panel’s giant tortoise is rendered mute. Cramming his gullet with peyote — or is it deadly nightshade? — he prays only that his release, or the end, will be quick.

— Uncle Lumpy

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Judge Parker, 6/15/08

Yes, because obviously this woman would have had to bring her explosives with her from Terrorist Land where she lives. Here in the terrorist-free U.S.A., we never have any reason to blow things up! We solve our disputes and demolish our buildings with pure, unfiltered Freedom.

And speaking of Freedom, thank goodness we live in country where we have a free press that’s free to not report about attempted terrorist attacks on American soil. That’s certainly not the sort of thing the public would or should be interested in, after all.

Marvin, 6/15/08

The first non-throwaway panel — in which an unshaven Jeff looks sidelong at his his sleeping wife and thinks “I never realized how devious Jenny was” — is creepy. But not as creepy as the first throwaway panel, in which we see Marvin in the same blue nighttime lighting, wide-eyed, grinning, and obviously ready to kill. The unspoken conclusion to his thought balloon in the final panel is “Feed me … with your flesh.

Rex Morgan, M.D., 6/15/08

And thus began Rex’s never-ending quest for young Dipstick.

Get it? Because it sounds like … oh, never mind.