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Panels from Mary Worth, 10/31/10

After a lunch spent mostly insulting and undermining Adrian, Jill leaves for an appointment, but the Sunday throwaway panels thoughtfully give us a glimpse of her as she walks away. Curiously, as she leaves the restaurant, her face melts from the cruel mask she’s worn throughout this episode into the dead-eyed, plump-lipped look of vagueness more typical for women in this strip. Could it be that she’s been cast into the role of emotional abuser against her will? That the masochistic Adrian pays her for the public insults and cruelty to satisfy some sick urge that her “perfect” husband-to-be Scott can’t know about? And this has been going on for months or years? No wonder she looks so exhausted in that second panel.

Panel from Marvin, 10/31/10

Just about all comic strip text is done on computers these days, so the strangely smaller font on “little candy extortionists” is probably just a lazy way for the artist to cram the words into the space available instead of rewriting or redrawing. Still, it does give the impression that something’s been changed at the last minute, and I sincerely hope that this word balloon originally ended in two or three of the foulest cuss words you can imagine.

Crankshaft, 10/31/10

The most horrifying thing any inhabitant of the Funkyverse can see is of course a member of the medical profession, since they will be spending their last agonizing months of life in a hospital, and sooner rather than later.

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Mary Worth, 10/26/10

I have to admit that the current Mary Worth plotline, in which Jill is cartoonishly cruel to Adrian and Adrian laughs it off and Mary seethes, hasn’t really done a lot for me. The only thing of real interest is the intensity of the aforementioned Mary-seething. The face she makes today is particularly delightful!

I assume that today will begin the story’s turn, on the logic that the self-loathing Adrian will absorb any amount of abuse without complaint, but you can’t criticize her sainted bullet-ridden fiance. Watch out, Jill! Adrian’s feeble, ineffectual rage will soon be turned against you!

Gasoline Alley, 10/26/10

I haven’t really been paying attention to this Gasoline Alley comical-misunderstandings-leading-to-accusations-of-adultery plot and neither have you, but here, enjoy the denouement, in which Hoogy’s attempts to be poetic and sweet are met with only a grunt of dull-eyed incomprehension.

Family Circus, 10/26/10

Jeffy knows it’s important to determine which animals are patriotic Americans and which are filthy foreigners.

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Panel from Mark Trail, 10/13/10

The first panel of today’s Mark Trail is so glorious that I felt you deserved to see it as large as I could give it to you. It’s almost like you are some corpulent political insider, hoping to enjoy a little canned hunting and some desperate promises from the next governor, when suddenly a deranged little monster and her dead-eyed deer lunge at you, demanding that you refrain from doing exactly what you’ve paid to do.

Note that her upper body seems disproportionately larger than her legs. That’s probably a carefully crafted technique that provides the illusion of the little girl moving rapidly towards you. It certainly isn’t because she’s been crudely assembled out of whatever clip art has been left lying around on the floor of the Mark Trail studios, no sir!

Panel from Mary Worth, 10/13/10

Also worthy of close inspection is our first encounter with Adrian’s opinionated friend Jill, here expressing her opinions with an eye-roll so epic she appears to have sprained her face. We’ve all been preparing ourselves for some kind of epic battle of the meddlers over how Adrian’s wedding should be run, but Jill’s deep thought-ballooned sarcasm seems to indicate that she’s already bored with the whole exercise. Perhaps she will realize that Mary is eager to do dull stuff like watch Adrian model a series of indistinguishably hideous bridal gowns, and she’ll excuse herself to go do something that doesn’t make her want to slit her wrists.

Dick Tracy, 10/13/10

Wow, it seems that the famous hobo solidarity completely falls apart once it turns out that one of them has money, and that the true proletarians are about to turn on the kulak who’s been lurking in their midst. Dick Tracy will be truly conflicted if he ends up triumphing due to the thing he hates the most: class struggle.