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Mary Worth, 2/7/10

Uh oh — it looks like Dawn isn’t going to sit back just acquiesce to losing her father’s affections to some scam artist! It seems that she is going to try shock therapy by finding the one person who can be guaranteed to terrify Wilbur back to his senses: erstwhile romantic rival Martin Clark. Sure, he’s been dead for years, but that will make the ultimate confrontation all the more harrowing, as Dawn rigs up the rich man’s corpse to move and speak like a marionette. “Look at me, Wilbur!” Martin will say, thanks to the ventriloquist lessons Dawn’s been taking on the sly. “I’m a charred, reassembled cadaver, and yet Abby would still choose me over you!”

Blondie, 2/7/10

This right here is seven panels of Superbowl Sunday inanity punctuated by one glorious moment of complete madness. I suppose that longtime readers of Blondie are supposed to know that spinning around on one’s head is an indicator of extreme, uncontrollable emotion of some kind, but to the casual viewer, it would just appear that Dagwood, Herb, and Daisy have chosen to express their football-related outrage with a stunning display of eerily synchronized breakdancing. Which I for one am totally in favor of.

Rex Morgan, M.D., 2/7/10

You know who I just realized that I totally don’t get at all? Berna! She’s Rex and June’s receptionist and she runs a successful salon of some sort and she uses Yugoslav generalissimo Tito’s recipes to dominate the local restaurant scene? Why would such a power broker need a relatively menial job behind a clinic’s front desk? Perhaps she uses it to drum up business for her salon. “Honey, trust me, Western medicine can’t do a thing about those split ends. Here’s my number.”

Meanwhile, I look forward to seeing how this strip attempts to make a guy named “Toots” who has a stripey rugby shirt, a goofy little beard, and a lot of hair gel into some kind of threat against Rex and June’s carefully constructed bourgeois order.

Marvin, 2/7/10

Since we only get a single glimpse of Marvin’s dad in this strip, in which he appears to be a good 15 or 20 feet away from his terrible little son and not getting any closer, I’m guessing this is less “father/son bonding” and more “let’s bring the hateful monster outside and leave him there until he ‘accidentally’ freezes to death.”

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Beetle Bailey, 2/4/10

OK, I’ll admit it: today’s unspeakably perverse Beetle Bailey, in which Sarge’s leering sex maniac of a dog takes him to some kind of canine fetish club, made me laugh. (I’m assuming the “fire plug dancing” bit means that their target audience is into watersports.) I think what makes this strip for me is Sarge’s look of wide-eyed innocence giving way to growing shock in the second panel. So many things he will learn tonight, about dogs and what they like to smell and/or pee on!

Gil Thorp, 2/4/10

I was going to make some sort of snide comment about how every sentence in panels two and three could be construed as a double entendre, but then I caught site of Gil’s sweater vest, and now can think about nothing but said sweater vest. Do you think it’s in Mudlark team colors? That would be ever so keen!

Mary Worth, 2/4/10

“It must be the same guy! Such an unusual name, after all!”

Dawn better keep track of her father while she thought-balloons, as Wilbur has snuck away to hunch over his computer in the background and go all crazy social-networking style. Watch out, Dawn! Maybe he’ll discover that daughter he always wanted!

Dennis the Menace, 2/4/10

Too bad you won’t be alive to see it, old man! Maybe Dennis’ll bring the little tykes over to dance on your grave!

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Archie, 2/2/10

There are a number of unsettling objects that have spilled out of Jughead’s locker. It’s probably actually not unsettling to see that Jughead owns at least one spare crown-hat; I had (I think with some justification, based on his character) assumed that Jughead only owned a single hat, which was by this point frayed and stained with years of hair-grease. Any points gained for this are instantly lost, however, by the sight of that sandwich, which despite its many layers is cohering together as a single, immutable unit as it tumbles across the rubble, possibly due to its condiments having long ago congealed into a binding more powerful than concrete. And, of course, the less said about the tiny scale model of Archie as a double amputee the better.

Crock, 2/2/10

Wow, if you had asked me who Crock’s chief gag artist saw as his avatar in the strip, the loathed and incompetent leader of the Lost Patrol would not have been anywhere on my list. But I can sort of see the connection.

Marmaduke, 2/2/10

Ha ha, some namby-pamby liberal judge thinks that Marmaduke can be restrained from his usual horrors by an electronic ankle bracelet! At best, the device will merely offer the authorities the means to create a real-time map of his swath of devastation.

Mary Worth, 2/2/10

Even Wilbur is getting bored by the tales of his romantic failures, and so he decides to liven things up with a hearty Black Power salute. Soon afterwards, someone comes by and gives him a soothing scalp massage, if what I’m seeing in panel two makes any sort of sense in the Euclidian space-time continuum that I’m accustomed to.

Phantom, 2/2/10

So, it appears that the Phantom is going to use his presumed widowhood to go around boffing all the ladies who ever had eyes for him. We begin with Captain Savarna, who made eyes at him during the Crocco Adventure (no, really) that happened last year, and is now wooing him with her butt-sculpting “uniform” pants and strokeable phallic torpedoes. Later, our hero will presumably finally make the Jungle Patrol gals’ dreams of seducing their Unknown Commander come true. We’ll eventually find out how well the “But honey, I assumed you were dead!” approach works as a justification for infidelity, especially when the unfaithful partner doesn’t bother to do much legwork to actually confirm his widowed status.

Momma, 2/2/10

Based on what I’ve learned from Apartment 3-G, I’m guessing Momma is showing up for her weekly sex-for-pills appointment. The pinched look on her face indicates that she’s past the point of even pretending to enjoy it.