Post Content

Mary Worth, 10/14/15

Oh, poop, it looks like this whole week is just going to be Toby and Ian apologizing to each other and reaffirming the majesty of their love. Bummer! At least we get a good closeup on Ian in panel one so we can see his various textures. The thick matt of arm hair poking out from the ends of his sleeves; the undulating chinbeard hair; the bristly, astroturf like consistency of his suit jacket — it’s like you can reach out and feel him. Comics need this sort of totally immersive experience if they’re going to compete against other entertainment media in the modern marketplace.

Barney Google and Snuffy Smith, 10/14/15

I like the knowing glance Snuffy is giving the reader, as he sits next to the hand-cranked ice cream maker that has for years met his family’s dessert needs but will now be immediately abandoned in favor of Silas’s fancy softserve machine. “Eh?” he seems to be asking us. “Eh? Modernity?”

Rex Morgan, M.D., 10/14/15

Welp, looks like the “Morgans get steeply discounted stuff” phase of this storyline is done with, and now Rex is faced with the humdrum reality of family practice medicine: dealing with patients and their eager buttholes.

Spider-Man, 10/14/15

THANKS A LOT DEBLASIO

Post Content

Mary Worth, 10/11/15

I stand by my earlier claims that this Toby-and-Ian-spat storyline was for a while a beautiful thing to behold, but it appears to be about to fizzle out in an even more disappointing fashion than most Mary Worths. Barring some surprise last-minute twist, like Toby trudging across the hall to find Ian embracing one of his undergraduate students and whining that they were “on a break,” it looks like Toby has used her time alone to decide that her relationship with Ian is great, even though they sometimes yell at or belittle each other. Today’s Sunday strip can’t even be bothered to barf up some poorly-sourced quote from Edna St. Vincent Millay or Douglas MacArthur for the first panel, and who can blame it?

Rex Morgan, M.D., 10/11/15

Look at how happy old Charlie is! That’s because he’s been summoned out of the narrative ether for one purpose and one purpose only: to sell his fishing cabin to the Morgans for a ridiculously low price. He grins ever wider as he offers his cabin for sale ever more cheaply, reveling that in this moment, he exists, has flesh and blood, breathes air, smells flowers, lives. As soon as the transaction is concluded, he’ll dissolve again to nothingness, just another tenuous shade in the outer darkness. But right now, let’s let him enjoy himself.

Marvin, 10/11/15

Remember how in the first few seasons of the Wire the drug-dealing Barksdale Organization is set up as the primary antagonists, but eventually we get to know and even sympathize with them as characters, and so towards the end of the show’s run they’re displaced by Marlo Stanfield and his crew, who are colder, less sympathetic, more implacable and violent? In unrelated news, here’s a cartoon in which a baby enumerates his urination and defecation sessions with such glee that he disgusts even Marvin.

Post Content

Shoe, 10/8/15

There’s something profoundly unsettling about how much closer together everything in the frame is in panel two than in panel one. I guess this is supposed to be a result of the “camera angle” changing, but it looks more like the Shoeniverse is collapsing in on itself, possibly representing the Perfesser’s confused mental state. The doctor’s look of mounting anxiety in panel two indicates that he too is troubled by his surroundings. Wasn’t … wasn’t I further away from him before? he thinks. How did he get right up behind me? “My memory,” the Perfesser says. “My memory.”

Rex Morgan, M.D, 10/8/15

“Relax, mom … I’m just ordering a teenager to literally become nothing more than an object I can use to improve my own skills and career prospects! She has to obey me, because I’ve made her my personal servant with the help of a wizened old criminal who has recognized in me a fellow sociopath. But she won’t be naked. I already know that female bodies like mine are a source of great shame!”

Apartment 3-G, 10/8/15

As usual, Apartment 3-G keeps the most interesting developments in this storyline off-panel. I mean, did Eric just pantomime knocking on a nonexistent door as he encountered Martin in the street, maybe saying “knock knock!” aloud? Or did he literally rap his knuckles on his beloved’s father’s face?