Archive: Rex Morgan, M.D.

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Mark Trail, 11/24/09

Rusty may be intensely stupid and hideously deformed, but he knows how the world — specifically, the world of Mark Trail — works. Having literally swung into action to defend an irritating puppy, Bob will have all of his past transgressions forgiven. Anyway, he was only killing and skinning gators to feed his family, as opposed to his more hirsute co-poachers, who were probably using the money to feed themselves, and whatever other non-related individuals they might share their backwoods shacks with, the greedy bastards. Rusty obviously doesn’t want Bob to labor under the misapprehension that there will be consequences for his actions, which is why he’s stage-whispering to Mark well within earshot in panel three.

Still, the point is largely moot, because nobody’s going to jail. Obviously there are no such things as “courts” or “police” or a “criminal justice system” or “institutions of government with a monopoly on legitimate violence” in Mark’s universe. There are only Mark’s fists and the righteous punishment they dish out. This explains why the poachers are just glumly sitting around the swamp; having been punched, their villainy has been drained away, and they are hollow of motivation and await further instructions.

Rex Morgan, M.D., 11/24/09

Cue may be intensely stupid and have dumb piercings, but give him this: he is a total fanatic about referring to his sad little trailer as his “crib.” Here, he almost seems to be using the word as an act of defiance: “Yeah, all you squares might look down your nose at ol’ Cue, just because I deal weed and hold old people for ransom. Well, you know what? I won’t use some bourgeois term for a dwelling, you hear me? I won’t! You can put me in jail, but you can’t stop me from calling my cell a ‘crib.'”

Apartment 3-G, 11/24/09

Well, it looks like the staff of I Dressed In The Dark met with complete and total failure in their attempt to gussy up Tommie. I visualize wave after wave of highly trained makeover artists charging at her, only to watch their best efforts vanish beyond Tommie’s event horizon of blandness. At least they convinced Ruby that her ridiculous hair ribbons should complement her outfit, rather than being the exact same color as everything else she has on.

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Barney Google and Snuffy Smith, 11/22/09

Wow, that big-eyed grinning severed teddy bear head in the third panel is certainly one of the more horrifying things I’ve seen today, yet it’s worth noting that, as the first panel shows, it’s only slightly less frightening while dangling detached from a dog’s jaws than it was when firmly attached to its original body. I can’t imagine ever giving such a nightmare-fueling monstrosity to a child, but I suppose that Li’l Tater will see worse things in the cesspool of incest and clan feuds that is Hootin’ Holler, so one might as well accustom the lad to horror from the get-go. And so why not attach the teddy bear head to what I assume is the skin of a real bear in some sort of unsettling hybrid? (The question of whatever became of the real head originally attached to the bearskin rug is best not thought about at any length.)

I do have to admit that the fifth panel, in which Loweezy holds the bear head gingerly by the ears and regards it dubiously while her useless husband cheerfully wanders off to get drunk on corn likker and then shoot at things, is a little masterpiece.

Mary Worth, 11/22/09

Well, it looks like Delilah’s sudden and discombobulating reappearance this week is really just meant to serve as a sort of a coda to Adrian and Scott’s story, the relevance of which I’d have an easier time parsing if I could remember what exactly the point of Delilah’s story was in the first place. Uh, true love triumphs over adversity, given enough time? Yeah, let’s go with that. Mostly I just feel bad that poor Leonard Cohen had to get dragged into this; he, along with Glen Hansard and Marketa Irglova and Daniel Johnston, are victims of this strip’s ongoing attempt to destroy the reputation of various hipster indie musicians by associating them with Mary Worth.

Crankshaft and Funky Winkerbean, 11/22/09

A man tries to relax by rediscovering his favorite music, only to receive an unwelcome reminder of his own mortality; another man suffers from recurring stress nightmares, years after being forced to retire from the job that prompted them, and wonders when they’ll finally stop haunting him. A relaxing Sunday afternoon in the Funkyverse, everybody!

Mark Trail, 11/22/09

“The ocean without kelp is like the Earth without trees. That’s why we’re harvesting all the kelp for chemical and industrial purposes. Soon there will be no more kelp, just like there will soon be no more trees!”

Panel from Rex Morgan, M.D., 11/22/09

I thought that those of you who don’t read Rex Morgan except when I mention it here might enjoy this panel, which features Tim throttling the hapless Cue, who soon provided the requested information. See, torture works! Specifically, Cue told Tim that Henry and Pearl had wandered off, which means that we’ll have to endure yet more oldster pursuit across various waterlogged golf courses.

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For Better Or For Worse, 11/19/09

I’ve been staring at this vintage Foob strip for a while, trying to figure out if the seatbelts have been only been drawn in for 21st century reprint purposes. I kind of think they have been, especially based on the final panel, where Ellie’s shoulder strap sort of vanishes abruptly at the edge of her shoulder rather than fading into the zip-a-tone murk as one might expect, and Michael’s lap belt and shoulder strap stay wrapped around him despite his being dragged bodily into the next seat. So, yeah, neither of them were wearing seatbelts when this strip was drawn, presumably in the late 1970s or early 1980s, and that’s OK! It was the style at the time! I can distinctly remember that when I was roughly Michael’s age here — an age at which, I assume, a child today would be lashed into a rear-facing car seat — we had a peppy Plymouth Champ, with a buzzer that would go off if the passenger seatbelt wasn’t fastened; so, my mom would let me fasten it before I got in the car and then I would just sit on top of it. And that was totally normal! She didn’t want me to die or anything! One can be nostalgic for an earlier time with, though you probably wouldn’t be if you had a kid who died in a car accident because they weren’t strapped down properly. Still, does it make me a monster if I wish that newly regenerated young Michael were cruising along unsecured as his mother attempts to drive under the influence of whatever the 1970s Canadian equivalent of NyQuil was? Because we’ve seen what’s in store for him, and maybe it would be better if he just went face-first into that lovingly rendered radio.

Rex Morgan, M.D., 11/19/09

Ha ha, hilarious fisticuffs delivered! It appears that Tim is rapidly devolving into some kind of feral monster; poor Cue is right to be scared! Unfortunately, if his crib wasn’t capable of keeping out a couple of deranged old people, it certainly won’t provide shelter from whatever kind of violent, hideous gnome Tim has become. I know that sometimes if men act heroic and protective it will cause the ladies to swoon, Tim, but I think Becka will cease to be aroused right around the time you start chewing off Cue’s face.

Lockhorns, 11/19/09

I’m assuming this is one of those “I walked into a doorway” domestic violence cover-up stories, because I’ve never actually seen Leroy and Loretta in church. And really, why would they go? Why would they worship any deity who has placed them into a universe of such intense and unmitigated misery?

Mary Worth, 11/19/09

Normally statements along the lines of “my life was an empty desert of existential meaninglessness until I started nurturing new life inside my uterus” enrage me, but I’m willing to allow it here on the off chance that Delilah is subtly trying to insult the childless Mary Worth. “Mary, don’t you wish you had come to your senses sooner … before your once bountiful womb became withered and barren?” Thus perhaps this isn’t a Delilah-centered story we’re starting; rather, she may just be returning in a cameo to put the real plot in action. Just as Tommie the Tweaker reappeared just to prove that Ella Bird’s psychic powers were legit, so too will Delilah’s child-bearing smugness primarily serve to send Mary into a funk that she can only solve one way: by forcing Dr. Jeff to steal a baby for her.