Archive: Shoe

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Shoe, 2/27/21

Huh, I’ve been reading Shoe for years and I don’t think I ever knew that the Perfesser, in addition to being a newspaper reporter and columnist, is also a novelist! I guess that’s probably because his books are so bad that his coworkers aren’t even minimally polite about them, so it probably doesn’t come up much.

Sam and Silo, 2/27/21

Today, outside Sam’s (or maybe Silo’s? I long ago wisely declined to spend precious brain real estate remembering which one is which) window, a werewolf’s time of torment is ending and he’s transforming back into a person again, celebrating the blessed event by shouting out the human names of the friends who will no longer run away from his monstrous visage in fear — until the full moon comes again, of course.

Barney Google and Snuffy Smith, 2/27/21

“Y’see, jedge, between my feckless lack o’ motivation and my r’fusal to develop any honest marketable skills, I’m in a prison of m’own design!”

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The Lockhorns, 2/20/21

I sincerely enjoy the presence of non-Lockhorn characters in the Lockhorns, who often seem to have somehow been drawn into Leroy and Loretta’s social orbit, where they never remain for long for obvious reasons. Take the dude standing next to Leroy here: that is a perfectly rendered facial expression for someone who’s just gone on his first outing with someone he thinks might be a new friend and has had a good time watching a movie, only to be hit with “You know who I hate? My wife.”

Shoe, 2/20/21

For all I snipe at the strip, you gotta give props to Shoe for having a consistent aesthetic tone, and that tone can best be described as “bone-deep weariness.” “Thank you, Cosmo,” Trish says out loud in response to this backhanded compliment, but what her eyes and posture say, very clearly, is “I’ve lived a thousand lifetimes and yearn so, so strongly for death.”

Beetle Bailey, 2/20/21

Honestly can’t decide if the proper response to this one is “Finally, the media reputation the narcoleptic community has yearned for” or “Beetle Bailey: Asexual Icon.”

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Shoe, 2/17/21

“But then I caught a Cirque show and fell in love with the artistry of clowning. I did an intensive study at Ecole Philippe Gaulier in Paris. Did you know that clowning is a long and storied theatrical tradition? We weave narratives and produce all kinds of emotional effects through our stylized performances. Our troupe is in town for the next week if you’re interested in tickets! The congressman thing isn’t really relevant, just wanted to give you some background on how I came to it, I guess.”

Dennis the Menace, 2/17/21

hey uh Mr. Wilson he’s sitting right there and I’m preeettttty sure he can hear you