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Hi and Lois, 7/26/12

Ditto’s look of complete and never-explained horror in panel two is utterly delightful to me. What do you suppose he’s looking at, just off-panel, that’s clearly causing him to rethink everything he believes about what goes on in his house when he’s asleep? Is Chip putting his final touches on his very own meth lab? Is Lois in the midst of a full-on orgy with folks from the local swinger’s club, a duty that Hi, tired from a long day at work, has begged out of so he can just read his newspaper? Has Dot been allowed to stay up and watch all the cool TV shows after her twin has been ordered to bed?

Mary Worth, 7/26/12

Speaking of delightful, I am delighted by today’s awesome “Life is brutal” callback, as Wilbur has been forced by events to acknowledge that all his attempts to cheer up Dawn have been disastrously counterproductive. If only he had acknowledged life’s brutality and just stayed home and watched TV with his mopey daughter! As it is, looks like he’ll have to engage in a little half-hearted fisticuffs for lifeboat space, for form’s sake, before his inevitable drowning.

Luann, 7/26/12

The assembled moviegoers are right to be horrified by the conclusion of this film. “The End” in Chicago font? What the hell is this, 1992?

Marmaduke, 7/26/12

Marmaduke hopes that, by exposing democracy as a sham, he can accelerate humanity’s decision to accept him as our eternal undead demon monster king.

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Mark Trail, 7/25/12

Rusty and his suddenly piercing blue eyes seem to have gone through some kind of handsomification (or at least de-hideousification) process, but don’t worry, he’s still alone in his room muttering furiously about “sheep killers” and “dead animals.”

Barney Google and Snuffy Smith, 7/25/12

I’ve always assumed that Hootin’ Holler was a socially conservative enclave, but it appears to actually be a polyamorous commune.

Hagar the Horrible, 7/25/12

Hagar the Horrible, the protagonist of a beloved nationally syndicated comic strip, is a thug who always takes what he wants with violence and threats of violence.

Pluggers, 7/25/12

Even before the Internet, pluggers could only make “friends” with people who lived far, far away from them.

Spider-Man, 7/25/12

“Let’s stare at them as he casually saunters away!”

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Blondie, 7/24/12

I had always thought that, in the category of “Blondie gags that use fast-food ordering systems built into injection-molded plastic heads to demonstrate the workings of post-industrial capitalism,” we would never be able to beat “Say — then pay!” But you have to admire the pathos of the Buckaroo Burger mascot in panel two, spewing out corporate-approved and no doubt heavily focus-grouped cowboy lingo to nobody. Is there a real Buckaroo Burger employee somewhere in the bowels of this exurban fast food hellscape, being paid minimum wage to bark ahistorical nonsense into a microphone until he loses his mind? Or is it all just a recording, a computerized voice sailing unheard into the open air, raising tree-falls-in-the-forest philosophical questions?

Archie, 7/23/12

Teen couples have been watching scary movies so as to excuse fear-based snuggling since the beginning of cinema. The real question Betty ought to be asking Archie is why he was so cheap and/or dumb to rent a mockbuster rather than the actual Wes Craven classic.

Apartment 3-G, 7/23/12

“I’m totally going to be hitting on dudes with heavily pregnant wives all the time now! The ladies forgive everyone in a wash of post-partum hormones, and the gents go off and be a dad right when they would otherwise start getting clingy and I’d need to figure out a way to let them down easy. It’s a win-win!”