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Momma, 10/9/14

You guys, today’s Momma illustrates a very important point: when you tell old people about how the Kids Today do things, make sure you explain all the details and don’t assume they can fill in the blanks. Like, if you say “oh, Kids Today like to send each other pictures of themselves when they’re dating,” make sure they know those pictures are on their cell phones, because otherwise you end up with comic setups like “Momma, a cute boy I met today gave me some pictures of himself! Like, actual, physical pictures! Where did he even get them?” Anyway, today’s strip takes a quick turn from “wacky out of touch follies” to “what is even going on here” as Momma … encourages MaryLou to send some other girl’s picture back? Even though the boy has already seen MaryLou? Despite all this, the thing that most unsettles me about this strip is the fact that MaryLou is wearing a baseball hat. Does she usually wear baseball hats? I don’t think she does.

Crankshaft, 10/9/14

Look at that face! Is Crankshaft experiencing shame? Is that even physically possible?

Funky Winkerbean, 10/9/14

“By the way … happy anniversary. I got you some passive aggression!”

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Shoe, 9/12/14

Oh, Shoe, you know that given my druthers I’d prefer not to contemplate the twisted chimeric anatomy of your bird-person characters, right? Especially when it comes to the naughty parts. I try not to think about those at all. I only contemplated the concept of bird-breasts obliquely, once, which didn’t stop TV Tropes from quoting me in the epigraph of the article on the subject. Anyway, the secondary sexual characteristics of these abhorrent beings are unpleasant enough to grapple with, but today’s strip demands that we give serious thought to the downstairs situation of these monsters. Specifically: do the bird-people of Shoe have a single cloaca that serves as the end point for their intestinal, reproductive, and urinary tracts, like birds, or do they have separate orifices for these different jobs, like humans? Related: do they bear live young, or lay eggs? I mean, any joke about some poor woman going into labor in the midst of a natural disaster and having her child forced back up inside her so she has to give birth again and again is awful enough even if it doesn’t raise disturbing questions about the the plumbing involved, you know?

Mary Worth, 9/12/14

Welp, as predicted, Mary is already starting to justify to herself the slow fade she’s going to pull on her beloved little friend Olive. “If only there were some way to communicate over a long physical distance! If these new-fangled computers could carry a message, that would be convenient, or perhaps if some government agency or private business existed that would, for a small fee, transport written correspondence. Ah well, no point in having regrets over the impossible, I suppose!”

Rex Morgan, M.D., 9/12/14

You heard it here first: Mrs. Pierpont, recognizing Sarah’s prodigy-level artistic talent, is going to groom her as a master art forger, having her current aging employee train her in this lucrative craft before his eyesight goes. Hope you enjoy spending your childhood churning out fake Miros in a windowless warehouse basement “studio,” Sarah!

Crankshaft, 9/12/14

Crankshaft is of course an insufferable asshole, but his name is the title of the strip, which means that he is literally the reason his entire spacetime continuum exists, and everything and everyone else there has been called into being merely to further his story. When you think about it, it’s actually surprising that more characters in the strip haven’t angrily turned their back on God.

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Blondie, 9/8/14

Wait, wait, Dagwood, I want to hear more about your line of food-themed children’s books! Like Beauty and the Beef: does a simple peasant girl fall for a handsome prince who’s under a witch’s curse and has been turned into a succulent, mouth-watering plate of roast beef, and the girl must lift the spell before her love for the prince is overwhelmed by her hunger? Or Three Little Pigs In A Blanket: is this how the story should’ve ended, with the Wolf victorious and the pigs devoured, though not before their (still living?) bodies are wrapped in flaky, delicious biscuit dough? And “Wee Willie Twinkie” — clearly an anthropomorphic Twinkie, but a child, younger than Twinkie The Kid, trapped eternally in a prepubescent state like a boy vampire by Hostess Brands LLC’s devilish formula of shelf-stabilizing food preservatives. “Please eat me!” Wee Willie begs the reader. “I cannot decay over time! I’m an abomination against all that is natural and good! I long for death!” Anyway, these sound like they wouldn’t be traumatizing at all and I think Dagwood should spend a lot of time and money trying to get them published.

Dennis the Menace, 9/8/14

I originally saw the quotes around Dennis’s sentence here and assumed he was repeating something he had just heard on TV, while looking over his shoulder at his mother and presumably showing a creepy lack of affect: vaguely menacing, I thought. But I went back and looked at older panels and nope, it turns out the dialogue for Dennis the Menace is always set out in quotes, meaning that this is something he’s saying to his mom about … the fact the he’s watching people on TV making out, maybe? “Look, Mom, maybe this is several years earlier than you expected me to start looking for ‘Adult Situations’ in the television listings, but let’s establish a policy now of never talking about it, OK?” Menacing level: extreme.

Funky Winkerbean and Crankshaft, 9/8/14

One thing that’s fun about the Funkyverse is when women in stereotypically attractive professions (newscasters, personal trainers) are drawn with heavy-lidded, half-dead eyes. Somebody knows what they like! They like it when you’re so beaten down by life that you can’t feel anything anymore. Anyway, Crankshaft controls the last viable bee colony in his county — and perhaps in the world? — giving him unprecedented power over agricultural production, and, by extension, our very existence. And also Funky doesn’t want to do his exercises! Wacky!