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Crock, 1/20/13

I continue to be puzzled and irritated by the continuing existence of Crock, which, after publicly insulting me, decided to waltz off into the sunset. The official line was that new Crocks would cease on May 20, 2012, and King Features would supply “Classic Crocks” to newspapers for the next three years. Except the post-May 20 strips have looked not like classics (which I perhaps optimistically assumed meant installments from the early years of the feature) but instead pretty much like the last few years worth of strips, except not repeats, so I have no idea what their story is. Anyway, I bring this up not to harp on it endlessly, but only to suggest that maybe it’s only in this weird, ambiguous afterlife that the strip finally feels free to make a searing indictment of the practices of modern capitalism.

Family Circus, 1/20/13

I’m pretty pleased by the sight of little Jeffy stooped over under the weight of his own sadness, and since his parents always seem to hold their little redheaded son in a fair amount of contempt, I’m a little surprised they aren’t as tickled as I am by it. I’m at least assuming that their shared glance is less “What can we do to cheer him up” and more “Are you fucking kidding me?”

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Mary Worth, 1/14/13

Could Dr. Jeff’s instincts about Mary’s platonic male cake-making partner have been right? If John’s really just a widowed amateur cakemaker, looking to win a contest and break into this high-pressure, rewarding world, then why is he rubbing his hands together and sneering like a supervillain in panel two? “I want to show you my design, Mary … it’s a giant laser, made entirely out of cake, and capable of destroying a city with a push of a button! Who’s just some retired innkeeper with a dumb William Powell mustache now, eh? Eh? MOO HA HA HA HA!”

Family Circus, 1/14/13

Good lord, this is one of the saddest Family Circuses I’ve ever seen. Dolly and Jeffy’s purposeful stride, Dolly’s narrowed eyes, and Grandma’s stricken expression pretty much make it clear that the Keane Kids simply walked out on their grandmother in mid-anecdote. “We get, it, Grandma, things were different when you were our age. How about telling us what things were like when you were old enough to be interesting but not old enough to be boring? What were the cool drugs? What famous dudes did you mess around with? Did you ever stab a man in self-defense, or for fun? We’ll be in the other room, watching TV and picking our noses, any time you want to come and get real with the reminiscing.”

Shoe, 1/14/13

Notice the contrast between Shoe and the Perfesser’s reactions in panel two. Shoe displays this strip’s Trademark Goggle Eyes Of Horror at hearing that Roz holds no strong opinion about a feature in his newspaper. He’s genuinely shocked that a citizen isn’t interested in the opportunity to make her opinions known to the world. The Perfesser, meanwhile, maintains his soul-numbed, heavy-lidded expression. He knows he works for a second-rate publication that’s part of a dying industry. He knows nobody cares about what he does and that once he dies his life’s body of work will be instantly forgotten. This is what the world has to offer. It is what he has come to expect.

Dick Tracy, 1/14/13

A metaphor for our fallen nation: now that “Lake Freedom” has been drained, we need some kind of elitist college professor just explain to us how to open a metal box. CAN YOU HEAR THE EAGLES WEEPING?

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YOU GUYS, every year when I come back from my Christmastime voyage I’m all like “I’m just going to quickly look over the continuity strips from the past week to make sure I didn’t miss the 45 seconds of Judge Parker strip-time in which something happens,” but then every year I end up finding a slate of delightful nonsense that I feel compelled to share with you all. So before I get to today’s strips (in another post), here’s what you might have missed if, like me, you took a comics vacation over the past ten days or so.

Panel from Apartment 3-G, 12/24/12

Greg Cooper, the next actor to play James Bond and thus one of the most visible and famous movie stars in the world, got dissed on Christmas by his own mom.

Family Circus, 12/25/12

Over at the Keane Kompound, unto us an extremely smug savior was born.

Panel from Mark Trail, 12/26/12

Otto decided not to take Mark and Bill Ellis’s ransom money, but will instead force Mark to lobby on his pirate kingdom’s behalf, in violation of the Foreign Agents Registration Act.

Panel from Spider-Man, 12/26/12

Spider-Man, a superhero with powers beyond those of ordinary mortals, was disabled with a quick blow to the back of the head, something that’s happened to him on multiple occasions.

Panels from Gil Thorp, 12/28/12

Oh, yeah, there’s a Gil Thorp basketball-season plot happening, I guess! It involves this basketball player, Scott, who is sad (and therefore not as good at basketball as he should be, which is the most important thing, obviously) because his little brother “Jay-Bird” died of leukemia. I had a brief hope that the horrible noise in this final panel was little Jay-Bird bursting out of his grave to feast on living flesh, but instead it was just a mysterious peacock that only Scott can see, which may in fact be Jay-Bird’s soul, which has come back to this mortal realm in bird form to feast on living flesh.

Panels from Funky Winkerbean, 12/29/12

Cayla and Les are already pretty sick of each other’s company, to nobody’s surprise.

Panels from Judge Parker, 12/30/12

In Judge Parker, Sam Driver shows that he knows the golden rule of lawyering: snitches get stitches.

Panel from Apartment 3-G, 12/31/12

Back in Apartment 3-G, Evan has finally revealed himself for what he truly is! …which appears to be a member of some kind of medieval craft guild, I guess?

Panel from Mary Worth, 12/31/12

John Dill’s entry has been accepted into the Santa Royale cake contest, and the excitement appears to have caused a massive stroke event.

Curtis, 1/1/13

Oh, right, Kwanzaa! This year’s nutty Curtis Kwanzaa tale involves an African village where an evil never-seen witch makes all the handsome young men mysteriously disappear when they reach marriageable age. Our hero, Maya, awakes in her lair only to discover that, despite evil witch stereotypes, she’s actually pretty sexy. “Well, uh, you’re not rich!” says Maya, but then she demonstrates that she has piles of gold and an elephant servant. “Hmm, tell me more,” says Maya.