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Slylock Fox, 5/27/07

Ah, that sexy Cassandra Cat! With her skin-tight wetsuit and her … pale … pasty fur … totally different from the tawny coloring established in her previous appearances … like a three-day-old corpse … seriously, what the hell happened to her? Is this what a cat looks like after it’s spent some time in the water? It’s creeping me out.

Speaking of things that creep me out, the first iteration of the firefighter in the “how to draw” section at the lower left is missing not only his nose and mouth, but also most of his brainpan. It makes it very difficult to look at the completed drawing without imagining that big hat resting on the flat surface of his impossibly truncated head.

Back to Cassie’s grift: I do appreciate that various genres of news media are here to cover this sexy, sexy story: the big-haired dog from the local TV news, the eager beaver writing up the story for the newspaper’s morning edition, and the pelican, who’ll deliver the tale to an eager audience via half-eaten fish.

Dennis the Menace, 5/27/07

Good lord, just when I think Dennis can’t get any less menacing, he swings into action with his actively anti-menacing “stop smoking!” message. I suppose it’s possible that our young menace is being transformed into such a goody-goody that he becomes a menace through his cloying, annoying crusading, a symbol of the intrusive nanny state, though that doesn’t really match up with his traditional oeuvre of more straightforward menacing, like property destruction and nap disruption. It’s also possible that he wants to keep Mr. Wilson alive as long as possible so as to harass him further. “I’m not going to let the sweet embrace of cancer take you away from my persecution, old man!”

I’ve said it before, but there are few visual conventions in this strip that I find more unsettling than the “single bead of sweat coming down Mr. Wilson’s forehead,” a good example of which can be found in the rightmost panel of the second row. Really, the only thing it says to me is “WARNING! KILLING SPREE IMMINENT!”

Family Circus, 5/27/07

The Family Circus, on the other hand, does have a whiff of menace today. If this strip has an underlying message other than “drugs are awesome,” I’d love to hear it.

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Dennis the Menace, 5/24/07

Dennis’ black, shriveled heart does not understand this feeling you call “love.”

Gil Thorp, 5/24/07

The Lady Mudlark softball team ought to forget about breast cancer and get Brynna Antenna to a reconstructive surgeon who can do something about her leathery mask of a face.

Family Circus, 5/24/07

Billy will go far.

For Better Or For Worse, 5/24/07

April can destroy things with her mind.

The Lockhorns, 5/24/07

The Lockhorns’ marriage is so depressing that it defies all human understanding.

Barney Google and Snuffy Smith, 5/24/07

Child labor is alive and well in Appalachia, or the Ozarks, or wherever the hell this strip is supposed to be set.

Pluggers, 5/24/07

Or died. He may well be dead.

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Blondie, 5/13/07

The saddest thing is that the central joke of this strip — that Blondie has been utterly charmed into an aroused frenzy by her pampering, and is eager to discovery what other surprises her husband has prepared for her, while Dagwood has one foot out the door as he’s planning to head out for a “men’s foursome” — is so in keeping with the well-established dynamic of the Bumstead marriage that I barely noticed it. The thing that really disturbed me is the heart that’s drifted up into Blondie’s word balloon in the final panel. I have no idea what it’s supposed to represent semantically. I suppose it could be “love” as a noun and term of endearment, rather than “love” as a verb, which it usually stands for — but then it ought to have a comma after it. Really, the fact that it’s sitting after a comma just makes it all the more anomalous to me. Mostly I’m worried that Dag and Blondie have ingested some kind of potent hallucinogen and now believe themselves to be conversing using abstract symbols rather than normal human speech.

Family Circus, 5/13/07

This strip is a subtle but powerful reminder of the strict laws of patriarchy that govern the Family Circus. Note that Dolly wonders who their mother would be if her parents hadn’t met, not who their father would be. On Mother’s Day, she assumes that her mother is just an interchangeable womb who could have been replaced by any number of other females from other times and places and their family would have remained pretty much the same.

I really enjoy the fact that all the other comics moms in Billy’s thought balloon are just sort of idly looking off into the distance, except for one. FBOFW’s Elly is looking straight at the eldest Keane boy in goggle-eyed horror, as if contemplating how excruciating it would have been to pass that enormous melonhead through her birth canal.

Doodles by Mac & Sack, 5/13/07

Someone’s kind of fixated on the idea of being crushed to death by a boa constrictor, and it makes me uncomfortable. I’m also disturbed the puffed-out cheeks of “the Doughboy” in the Doodle Zoo: they clearly indicate that he’s dying horribly as the smart-ass little koala cracks wise. I am kind of amused that the Doughboy seems to have lost his “Pillsbury” moniker at the last minute due to trademark infringement concerns, though it does bring to mind the notion of an American infantryman, having survived the hell of combat in the trenches against the Hun’s forces on the Western Front, being felled by an unexpected snake attack.

Panels from Dennis the Menace, 5/13/07

I’m not showing you the rest of this strip, because these panels perfectly set up the Dennis the Menace strip we’d all like to see, the one where Mr. Wilson murders Dennis with a pair of garden shears.

Panel from Mary Worth, 5/13/07

Since Vera’s so angry at Von, it’s ironic that she’s remembering him at the height of his glory: all decked out in his yellow suit, shirt, and facepaint, standing in front of that blue door, and disco dancing like nobody’s business.