Archive: Hagar the Horrible

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Crankshaft, 9/18/12

One of my favorite things about Crankshaft (sorry, don’t have time to figure out all the levels of irony involved in my spontaneous decision to apply the word “favorite” to Crankshaft there) is that even when its characters are just bandying dumb puns back and forth, their facial expressions make it look like they’re the last survivors of a genocidal assault that took their entire families. Normally this is just a result of the vague sense of anxiety and unease that pervades the Funkyverse, but in this case Jeff is probably worried, with some justification, that his wife’s mind is going, and she’ll soon be an irritated, malaprop-spouting shell of her former self, just like her father.

Hagar the Horrible, 9/18/12

We often see the same situations over and over again in Hagar the Horrible, and as I’ve said before, I’ve come to believe that this is because events in the strip are playing out in a nonlinear narrative. Thus, every castle raid shown is really just a different moment in a single castle raid, every strip that features Hagar and Eddie in the dungeon is a different moment in the same stretch of imprisonment, etc. “Hagar and Eddie on a desert island” is another repeating trope, but I don’t believe I’ve ever seen the rest of the crew of Hagar’s ship similarly marooned with them. Still, I’m going to assume that this is again the same shipwreck, and what we’re seeing here is the early days of their time as castaways, before the turn to cannibalism.

Archie, 9/18/12

The silent, expressionless way Archie’s mom is staring at her son is pretty harrowing. Don’t complain about static cling, Arch; you’re lucky she can operate the dryer at all, as she appears to have taken many, many quaaludes.

Family Circus, 9/18/12

“Either that or the house is on fire, and the two of us will soon sizzle and cook like bacon in a pan. We’ll just have to wait and see! Have I mentioned that my home life is so oppressive that I don’t care whether I live or die?”

Funky Winkerbean, 9/18/12

“And then, once the paralytic drugs we’ve laced the wedding cake with kick in, we’ll laminate everybody and hang them on walls all over the house! We’ll never be lonely again!”

Mary Worth, 9/18/12

“Take you, for instance! You’re terribly crippled emotionally. I can tell by the way you dress. Which, admittedly, is visible. All too visible, frankly.”

Mark Trail, 9/18/12

HA HA RUSTY YES CRY BITTER, FLESH-COLORED TEARS

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Barney Google and Snuffy Smith, 8/31/12

Lukey has a rash because he’s been wearing that borrowed suit for a long time without cleaning it, so he has various skin parasites now.

Six Chix, 8/31/12

This office break room is haunted by the ghostly shades of all the people whose murders this hulking woman has covered up.

Hagar the Horrible, 8/31/12

Is Hagar filthy because his wife won’t inspect him closely — or does she refuse to get close enough to examine him because his hygiene is so bad?

Beetle Bailey, 8/31/12

This is one of the oldest, corniest jokes I’ve ever seen on the comics pages, but it’s structured around unlikable bully Sarge writhing around in pain after injuring himself, so I guess I’ll let it pass.

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Luann, 8/27/12

Good morning, everyone! I’ve returned from my week-long comics-mocking sabbatical, and what better way to jump right back into the icy waters three-panel laffs than today’s Luann? Yes, Brad DeGroot has at last come into his own, lounging about in his tough-guy tank top, showing off his biceps and his fire department tattoo, running a comb through his greasy hair. The effect is somewhat undermined in panel one because that tank top looks long enough to be a cocktail dress, but still, let’s let him have his moment.

Momma, 8/27/12

Now let’s swim into full-on horror by moving on to Momma! Today’s strip is fantastic because just when you settle into a nice bit of disgust at the phrase “seeing some other mother,” you realize Francis is emitting audible groans of satisfaction and you want desperately to return to a world where the worst you had to deal with was a little light Oedipal humor.

Blondie, 8/27/12

Dagwood’s look of befuddlement shows that there can still be surprises in a marriage that’s lasted more than 80 years, and that those surprises are terrifying. “Wait a minute,” he seems to be thinking, “I’m the one in this marriage who goes on ‘wacky’ food binges in a doomed attempt to fill the yawning emptiness inside me. If that’s not my role anymore, then what am I?”

Hagar the Horrible, 8/27/12

In an example of the meticulous attention to detail that has made Walker-Browne Amalgamated Humor Industries LLC famous, the irony in Hagar’s statement is driven home by the blasted, barren landscape his savage warriors trudge across, all the crops having been burned during the course of his band’s predatory raid.

Crankshaft, 8/27/12

Oh, goody, there have been 25 years of Crankshaft, so we will now be treated to some Crankshaft flashbacks! Nobody, not even Crankshaft himself, thinks this is a good idea.

Pluggers, 8/27/12

Hey, all you fancy-pants city folks with your computers! A little girl can’t sit on the dog-goned Internet, now can she? Check and mate!