Archive: Hagar the Horrible

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Hagar the Horrible, 4/19/10

Wow, this little crowd scene may represent the most artistic effort and affection I’ve ever seen lavished on a Hagar the Horrible strip. There are really quite a lot of nice touches: the crowd behind our heroes, grinning good-naturedly at the spectacle; the occasional pitchfork, conveying the both social class of the onlookers and the threat of violence lurking just beneath the surface of the seemingly festive gathering; the knight just to the left of Lucky Eddie, literally licking his lips in anticipation, and his friend, cheerfully pointing out some detail of interest to him; and, of course, the black-robed, torch-wielding executioner, his eyes wild but his dour expression indicating that he alone appreciates the terrible gravity of what’s about to take place.

Of course, all this is in service a particularly grim punchline — ha ha, everyone likes coming out to see a couple of guys get set on fire! Of course, said guys are savage Viking warriors who may well have killed or enslaved many of the family and friends of the people in the crowd, so perhaps their murderous glee is justifiable.

The Phantom, 4/19/10

So it turns out that the narrator dude who I misidentified last December as Billy Dee Williams was, as several helpful readers pointed out, merely a miscolored depiction of deceased Phantom creator Lee Falk. Apparently the coloring crew has been alerted and today he has been depicted with the proper skin tone. However, I’m not sure if anyone can explain the artist’s choice to portray him in panel three as a some kind of deranged goth leprechaun, complete with skull-tipped shillelagh.

Marvin, 4/19/10

Oh, look, it appears to be a new character in Marvin! Nothing good ever comes of new characters in Marvin, as nothing good ever comes from the strip itself, but since she’s making her debut by threatening physical harm to the titular hell-infant, I’m willing to give her a chance.

Apartment 3-G, 4/19/10

We may not get to see anyone die in a hail of bullets in Apartment 3-G, but we do get to see how Margo’s mind works, which is almost as harrowing/hilarious! “Only people who are so fanatically devoted to me that they’ll sacrifice their lives for my safety merit Margo Alone Time.”

Mary Worth, 4/19/10

I’m pretty sure Bonnie just made a pass at Mary, which I’m pretty sure makes her the second most sad, lonely, and pathetic person on Earth (after Dr. Jeff, of course).

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Apartment 3-G, 3/26/10

Hey, it’s Dr. Skully “Chemo” Bryant, by all appearances — and against all odds — still alive! In a fit of dementia last September, Bryant turned over his lucrative psychiatric practice to medical impersonator Aristotle Papagoras, who quickly transformed it into a walk-in narcotics dispensary and Love Shack, setting the Bobbie Merrill story in motion.

Today, Dr. Bryant makes good his commitment to locate Merrill’s medical records, showing Papagoras that words like “professional” and “oath” still mean something to somebody in his business any more. The records had been filed under Bobbie Merrill’s married name, which was …. Which waaaaaaas …?

Anton Chekhov is famously reported to have said, “If in Act I you have a pistol hanging on the wall, then it must fire in the last act”. Well, faithful readers, we have our pistol, and the clouds are gathering for the final act — but whose will it be?

Hägar the Horrible, 3/26/10

It’s funny because that’s what the word means! Seriously, aren’t we approaching some kind of limit on what qualifies as “wordplay”?

Mary Worth, 3/26/10

Mary, already in her priestly garb, calls from outside the compound on her burner cell, but her chosen sacrifice evades the trap. Honestly! Salmon squares it is, then.

In panel two, Toby dashes off a landscape while her portrait of Ian dries.

Slylock Fox, 3/3, 3/19, 3/26/10



“I see. Well, let’s go back up to 30 milligrams and see if they stop.”


— Uncle Lumpy

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Luann, 3/10/10

I have emphasized repeatedly that I find the Brad-Toni relationship gross, but I do feel a need to mention now and again that I also find aspects of it — in particular, the weird ultra-chastity in practice underneath the layers of innuendo — baffling. Not necessarily because there aren’t young adults out there who for whatever reason hold back on the sexing, but because their relationship isn’t treated as unusually chaste; in fact, it’s treated as some kind of dangerous, smoldering time-bomb of lust that could destroy the world if not carefully monitored by Brad’s mother. Take Toni’s dialogue in the first panel today: “Don’t tell your mom I’m here! She’ll think I hang out!” Not … hanging out! Is there really a parent in America today whose adult offspring must hide the fact that his or her significant other is spending time at said offspring’s own house in what appears to be the middle of the day? Does Mrs. DeGroot expect that Brad and Toni will be interacting solely at church socials and via long, flowery letters up until the day they marry?

The thing is, I honestly don’t believe that anyone involved in the creation of the strip — not Greg Evans, and not his syndicate — thinks this is how humans in 21st century mainstream America behave. But there must be some kind of editorial edict handed down from on high that declares any mention or hint of sexuality between non-married people be completely verboten. But Evans seems to really want to do “Mrs. DeGroot is threatened by Toni’s sexual interest in Brad,” for some reason, which, taking those restrictions into account, ends up as “Mrs. DeGroot is threatened by any contact between Brad and Toni of any sort.” It just reads as … off, which is not really what you want in a comic strip, I don’t think.

Meanwhile, if we’re looking for things that are gross, let’s take note of the almost invisible musical “Hi honey” coming out of Brad’s phone in panel three.

Mark Trail, 3/10/10

And yet Mark Trail, of all strips, has no apparent qualms about depicting raw sexuality out in the country, with a sexy ranger and sexy backwoodsman’s daughter sexily sizing each other up, for sex. Buzz offers the most hilariously nonspecific and uninteresting explanation possible of his presence in her neck of the woods in panel three, and Jan’s reply that this mushy amalgam of vagueness “sounds interesting” indicates that she isn’t even listening to the blah blah coming out of his pretty mouth; she’s more interested in getting into those electric blue jeans and finding out if the carpet matches the drapes. (It doesn’t, if the eyebrows are any indication.)

Meanwhile, in the background, Mark appears to be on the verge of humping a Ski-Doo. Hey, man, whatever floats your boat! Literally!

Hagar the Horrible, 3/10/10

In other cartoon sex news, Hagar is supposed to be a sympathetic viewpoint character, despite his attempts to cheat on his long-suffering wife with ladies in Viking bars. The really weird aspect of this is that this is actually more or less a repeat of a four and a half year old joke, right down to the strip’s composition, and yet it’s been somewhat rewritten and apparently completely redrawn. Why not just take it to its logical conclusion and just run the damn thing again?