Post Content

Slylock Fox, 11/27/06

Today Slylock Fox takes a break from its usual kid-friendly fare to take us on a voyage into a shadowy demimonde of sleaze and degradation. Pretty much every aspect of this drawing is magnificent, from the scantily clad nightclub ladies, to the enormous purple-suited dog-thing (presumably their pimp) boogying down behind them, to the impassive bull bouncer standing outside, to Max Mouse’s decision to wear earmuffs and a scarf but no shirt.

My question is: Is this the same beaver who got his luggage stolen at LAX a couple of weeks ago? Why is he such a frequent victim of crime? I’m guessing it’s because he looks so hilarious when he’s indignant.

Mark Trail, 11/27/06

Yeah, Mark, I’m sure he’ll be very excited to learn that Molly’s safe, especially considering that he had no reason to believe that she wouldn’t be safe, since he left her in the hands of an experienced outdoorsman and all. It’s like the time I took care of a friend’s cat when she was out of the country, and the cat had some pretty disgusting gastrointestinal problems, but I didn’t tell her about it until after I took the cat to the vet and got it all worked out. Except I sought medical attention for the cat as soon as I realized he was sick instead of leaving him in the back of an open jeep so that he could be kidnapped by morons with stupid hair. So, my point, Trail, is good luck casually playing this bearnapping incident off when you go see Buck in the hospital.

Yes, that moose is talking out of its butt in the second panel. No, I don’t know why that’s happening or how to make it stop.

Luann, 11/27/06

You know, many months ago, I completely in jest accused Sally Forth of taking payola from Target and/or Rush. I wish I could say that I have no actual suspicions about today’s Luann, but the floating little ® bug after “Home Depot” gives me the uncomfortable feeling that we’re witnessing some kind of horrifying corporate synergy in the making. The only shred of hope I have to cling to is that the ® is subscripted, not superscripted as it should be, so it practically looks like somebody’s trademarked the word “fix” (which, frankly, I wouldn’t put past Home Depot®).

Anyway, all this speculation about artistic whoredom has at least blessedly distracted me from the joke in this strip, which is the always hilarious MEN ARE FROM MARS AND WOMEN ARE FROM VENUS HAW HAW WHAT’RE YA GONNA DO? Because I’m feeling generous, though, I will say that Momma DeGroot’s facial expression in the second panel is pretty funny.

Rex Morgan, M.D., 11/27/06

Like Troy Gainer, I’m not actually a doctor, but I’m still pretty sure that nobody’s eyes look like June’s in panel two unless they’ve already consumed copious amounts of meth. I’m beginning to see why she’s so eager to hook up with Niki’s mom.

By the way, I defy anyone to come up with a good explanation for a sock lying on top of a lampshade that doesn’t involve a set dresser presented with instructions that contain the phrase “cartoonishly squalid.”

Garfield, 11/27/06

Today’s Garfield appears to contain a reference to Jon’s penis.

Apartment 3-G, 11/27/06

Today’s Apartment 3-G appears to contain a reference to one of two slang terms for Eric Mills’s penis.

Actually, it took Mrs. C., romantic that she is, to point out to me that the four-letter word to which Tommie is referring is probably “love.” In my defense, I have a hard time conceiving of “Margo” and “love” in the same sentence. Margo requires worship, and servicing. Love doesn’t really enter into the equation.

Bizarre Apartment 3-G fashion update: Tommie’s weird white-sweatshirt-over-dusty-pink-polo-shirt combo seems to be slowly morphing into a slightly kickier futuristic two-tone zip-up jumpsuit. And while Margo’s decision to wear a white micro-miniskirt to Thanksgiving dinner was ultimately successful in the rich-guy-seducing department, it was also an embarrassing gravy stain disaster waiting to happen.

Funky Winkerbean, 11/27/06

Attention, comics writers who are thinking of ending a strip with a gentle bit of punny wordplay and depicting the characters engaged in said wordplay demonstrating through their facial expressions their mild appreciation for same: we already have one For Better Or For Worse and do not require another. Thank you.

Post Content

Family Circus, 10/30/06

There’s always some sort of twisted psychodrama going on this ostensibly innocent little feature. Today, I’m wondering why Jeffy looks so damn depressed about Billy’s unfunny little joke. Some possibilities as to what might be running around his misshapen head:

• “Mommy’s wrong and preacher’s right! There really are such things as witches, and evil and the devil are real!”
• “Uh oh, Billy’s on to my initiation into the dark arts. I need to cast some sort of hex on him to keep him out of my business.”
• “‘Baby witches?’ This is my big brother who I’m supposed to look up to? Jesus, I don’t know if he’s this stupid or if he thinks that I am.”
• “Uh oh, I pooped my pants again.”

For Better Or For Worse, 10/30/06

OK, let’s for a moment assume that the crowd is going to go wild for the Hose-O-Phonium (which of course it wouldn’t in any rational world, but we are way past any rational world, baby). And let’s assume, against all evidence, that Uncle Phil really is the cool professional jazz-ish musician we’re told he is. And let’s assume that the endeavor on display here — the attempt of 4Evah and Eva to upstage the professional and talented (but still, of course, whorish and evil) RebaccaH — is a noble one. So, basically, Apes and her little friends are bringing in an adult professional to humiliate a thirteen-year-old. Nice. Shannon is so embarrassed by the whole thing that she’s attempting to escape through some kind of trapdoor in the floor, which is the only explanation I can come up with for why she comes up to about April’s navel in panel two.

Rex Morgan, M.D., 10/30/06

Ah, Mrs. Dr. Morgan, always trying to bring a little positive energy and dignity to a thankless world. Because who cares if the people in line behind her have to wait even longer than she did, she’s determined to make friendly chit-chat with this underpaid bureaucrat. It’s a bad idea, though: check out the seam down the side of the teller’s face in panel two. That’s no human clerk, it’s a pitiless android, and when it says “the clock keeps ticking,” it’s in deadly earnest: if June uses up her allotted time and the transaction isn’t complete, the DMV-bot will vaporize her with lasers from its eyes. So let’s get a move on, lady.

Luann, 10/30/06

So does it still count as an infuriating rehash if you get all post-modern and have one of the characters note that it’s an infuriating rehash? Yes, yes it does. Tune in next week when Luann has an awkward phone conversation with Aaron, and Bernice stands behind her with an enormous sign that says “NOTE: THIS STRIP IS ‘PHONING IT IN.'”

Post Content

Luann, 9/21/06

How much of a loser is Brad DeGroot? Well, I think it’s safe to say that he doesn’t exactly have a strong internal sense of interior design, so his enthusiasm for the house must be based entirely on its present decor. And since this has been Mrs. Horner’s house for about ever, we can assume that it’s done up more or less like a home in a TDIET panel. (And let’s say nothing of the old lady smell.) This, then, is Brad’s dream crib. “Oh, the textured olive-green rug in the living room really goes nicely with the matching green glass chandelier, and … ooh, look! Hummels!”

Rex Morgan, M.D., 9/21/06

Boy, I’m beginning to see why Rex might want to find comfort in the arms of another. Hmmm, you were held hostage at gunpoint for the better part of an afternoon? BORRR-ing! But wait! I have to make a few phone calls to my credit card companies? DAMN YOU, MYSTERIOUS PURSE-SNATCHER! DAMN YOU STRAIGHT TO HELL! June’s so angry she appears to be transforming into a Bratz™ doll in panel three.

So, where do you all think the Rex Morganians are going with this? My guess: Identity theft! Proving once and for all that June Morgan is no plugger.

Marmaduke, 9/21/06

I couldn’t tell you why, exactly, but this image is for me by far the most unsettling one in the comics today. I suppose that’s supposed to be a trap door (that Marmadue opened from the inside?) but to me it looks like an arbitrary chunk of ceiling that’s been mysteriously removed so that the sinister Great Dane can just stare down at his owners with his huge, soulless eyes.