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Archie, 3/25/08

Kudos to the AJGLU 3000 for not forcing the narrative in the first panel. The mere sight of the “Help Wanted” sign in Pop’s window is much subtler than what I’d have expected, which would have been Jughead staring at the “Help Wanted” sign while a light bulb (possibly hamburger shaped) went off over his head. Kudos too to our bleeping funny-bot for recognizing that the search for employment isn’t some smooth operation of soulless economic actors, but is rather layered with sarcasm and class-based resentment. Either that, or the AJGLU 3000 really thinks that hamburgers are a valid form of payment.

Crankshaft, 3/25/08

Crankshaft’s daughter and son-in-law are discussing the fact that their son — who is in his late teens or early 20s, and who I’m pretty sure is gainfully employed in some capacity — has decided to move into his own place. Naturally, their bleak, ashen faces in panel two make it look like he’s decided to sign up to be a suicide bomber — naturally, because this is the Funkiverse, where every little seemingly innocent decision has some kind of tragic downside, even if you can’t see it just yet.

Apartment 3-G, 3/25/08

When Margo hears “monastery,” she’s naturally anxious that her man might have done something terrible, like taking a vow of chastity or, worse, poverty. Obedience she could probably live with.

Mary Worth, 3/25/08

As young Mary prepares to fake her way through grace, we learn that her upbringing wasn’t just materially deprived — it was also spiritually empty! I know I should have long given up hope for this flashback sequence, but I admit to being excited to see just what life-changing event Mary is going to experience. Will she begin to speak in tongues, with “tongues” here meaning “bland platitudes”? Or will Cathy’s family’s prayer invoke the Holy Virgin Mary, and young Miss Worth will suddenly be filled with a new sense of her own power, as only she will be intercede for us at the hour of our death?

Dennis the Menace, 3/25/08

Ha ha! Dennis’s “field trip” is going to involve a lead pipe, a burlap sack, and a fast-moving river.

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Slylock Fox, 3/23/08

So many good things are going on in Sunday’s Slylock Fox! First of all, it features my new favorite anti-hero Reeky Rat, trying to move up the social ladder but so ignorant that he thinks that stealing a nice suit will make him respectable automatically. As usual for Sunday, the solution to the mystery is too small for me to read; I’m guessing it’s supposed to be something about how the suit would be wet if Reeky had worn it in from outside, but really, the tip-off that he’s lying about it being his suit is that Reeky Rat doesn’t own any God-damned suits. His wardrobe consists entirely of stained t-shirts he shoplifted from the Goodwill.

Also charming are the plight of the Six Differences duck, trapped in the paws of a sleeping bear; a trumpet-playing rabbit thinks that startling the bear awake will free his feathered friend, but it will likely just get both of them eaten. Speaking of ducks, “how to draw” teaches the youth of today to draw a duck in a bucket, because really, why not? I can see that being an important part of any graphic novel you have planned. And, finally, it looks like our unfortunate baseball player is about to be eaten alive by birds in part of the worldwide animal revolt we’ve already seen brewing.

Panel from Judge Parker, 3/23/08

I just wanted to point out to everyone the extent to which Judge Parker is the King Of Not Moving Things Along: Biff Dickens buzzed the horses yesterday? Yesterday was sometime around Thanksgiving. And this is positively breakneck speed for this feature.

Panels from Mary Worth, 3/23/08

Mary’s big flashback continues to be lame and anticlimactic, but this pair of throwaway panels pretty much epitomizes the strip: a baffling and dubious traditional proverb from a random country, and then Mary talking over whatever her interlocutor was trying to get in edgewise to move the conversation back to her.

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Gil Thorp, 3/18/08

OK, ever since the Gil Thorp artist change, I’ve been able to accept that the vaguely flat-topped Robert Mitchum lookalike in the COACH sweatshirt is supposed to be Gil. But you will never, never convince me that the skinny, brush-cut dude in the COACH sweatshirt in panel two is Assistant Coach Kaz. Never, you hear me? Where’s the classic Heat Miser ‘do? The pearl earrings? The hairy forearms and brutish fists? This is a travesty beyond imagining.

Oh, also, Andrew and his little siblings are about to be put into foster care because “the man” says that it’s not OK for children to raise themselves. Presumably the Gil and Kaz stand-ins will cook up some web of lies that will prevent the sinister social services fascists from caring for the kids’ well-being; perhaps it will involve convincing them that Andrew’s “teenage” friends in panel three are actually his 35-year-old aunts, which from the looks of it shouldn’t be hard.

Apartment 3-G, 3/18/08

Margo is no doubt backstage chewing her single glove in rage and frustration as Lu Ann wastes her coveted Girl Talk slot by blathering on all moon-eyed about how swell her talentless junkie boyfriend is. Still, it’s really Margo’s own fault for trusting her air-headed roommate to go on TV without careful coaching. And for using Lu Ann’s embarrassing carbon monoxide poisoning as the selling point for her bland art in the first place. When things go spectacularly wrong, it’s usually a safe bet to blame it on Margo’s desperate scheming, is what I’m trying to say.

Mary Worth, 3/18/08

“For the moment, the mutant super-breath power we shared was a secret between the two of us. But we knew that someday, it would be the instrument of our revenge against a world that had been cruel to us for too long.”

Pluggers, 3/18/08

Pluggers are subject from birth to relentless propaganda and conditioning, so that by the time they’re eight, they suffer from crippling nostalgia for a world they never knew.