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Beetle Bailey
Apartment 3-G, 2/5/10
OK, you guys, are you ready for a theory that will blow your mind? Huh? Are you?
Before I launch into said theory let me, for the benefit of relative newcomers, recap the Story of Margo. Margo was raised by her wealthy father Martin and his wife — who, it turns out, was not her mother. Her mother is Gabriella, a lowly maid, who Martin knocked up. When Margo found out this sordid tale as an adult, it wreaked havoc with her family life and ability to feel ordinary human emotions, obviously, and she seems deeply suspicious that her parents are palling around again.
And what about Martin’s wife, the one who, presumably, Margo thought of as her mother for most of her childhood, but who probably viewed Margo with some combination of horror and disgust? Well, we don’t really know much about her, other than her name, which is … Roberta.
What’s a common nickname for Roberta? Are you thinking what I’m thinking? Or, really, more specifically, are you thinking what the folks over at the Lovely Ladies of Apartment 3-G blog are thinking, who had the idea first? Is the cheating husband Bobbie is obsessively chasing Martin? Is that building across the street Gabriella’s? Is this glorious lunatic pill-popping shrink-screwing floozy the woman whose disdain and resentment shaped Margo into the woman she is today? Will this plotline end in a fantabulous one-on-one Bobbie-Margo battle that will result in the two of them resolving their differences and teaming up to destroy anyone in their way? I am giddy!
(And if you aren’t reading the Lovely Ladies of Apartment 3-G, well, why the heck not?)
Pluggers, 2/5/10
Pluggers pretty much go through life in a prescription med haze, so why shouldn’t their pets, too? It sure would keep the damn things from barking constantly and cutting into pluggers’ valuable staring-at-the-wall-and-drooling time! Plus, giving pills to animals is the sort of thing that seems hilarious when you’re high.
Beetle Bailey, 2/5/10
Meanwhile, the poor vendor who owns that cart is lying on some city sidewalk bleeding to death from a bayonet wound to the gut. But, whatever, that Sarge sure likes to eat, amiright?
Beetle Bailey, 2/4/10
OK, I’ll admit it: today’s unspeakably perverse Beetle Bailey, in which Sarge’s leering sex maniac of a dog takes him to some kind of canine fetish club, made me laugh. (I’m assuming the “fire plug dancing” bit means that their target audience is into watersports.) I think what makes this strip for me is Sarge’s look of wide-eyed innocence giving way to growing shock in the second panel. So many things he will learn tonight, about dogs and what they like to smell and/or pee on!
Gil Thorp, 2/4/10
I was going to make some sort of snide comment about how every sentence in panels two and three could be construed as a double entendre, but then I caught site of Gil’s sweater vest, and now can think about nothing but said sweater vest. Do you think it’s in Mudlark team colors? That would be ever so keen!
Mary Worth, 2/4/10
“It must be the same guy! Such an unusual name, after all!”
Dawn better keep track of her father while she thought-balloons, as Wilbur has snuck away to hunch over his computer in the background and go all crazy social-networking style. Watch out, Dawn! Maybe he’ll discover that daughter he always wanted!
Dennis the Menace, 2/4/10
Too bad you won’t be alive to see it, old man! Maybe Dennis’ll bring the little tykes over to dance on your grave!
Family Circus, 1/24/10
I’m pretty sure that the panels here have been both mislabelled and put in the wrong order. Our story begins in panel two, which is the moment when Mommy realizes that she needs to leave her kiddie-vomit-smeared life behind her, forever. In panel one, she wakes up alone in a single bed in some fleabag hotel, grateful to be forever free of her suffocating family. Among the responsibilities she’s left behind is hygeine, and in panel three her fellow elevator passengers take disapproving note of her noticable body odor. To her, that funk smells like freedom, sweet freedom.
Beetle Bailey, 1/24/10
The reasons why the soldiers of Camp Swampy would want to stand by and cheer as their seargant suffers physical pain should be obvious. But what’s with the rigamarole with his being ordered into the dentist chair? Does it serve any purpose other than to turn the perfectly servicable daily strip represented by the bottom row of panels into a Sunday strip? My guess is that odor of Sarge’s decaying teeth and putrefying gums was becoming so noticeable and distracting that his dental health had to be improved in the interest of maintaining unit cohesion.
Funky Winkerbean, 1/24/10
“Yeah, you kids today and your moral ambiguity! In our days, heroes were heroic, like Speedball, who’s named after an awesome combination of heroin and cocaine!”
Panels from Dennis the Menace, 1/24/10
Sorry, Dennis, the only way these lines might qualify as “menacing” would be if afterwards you headed down to the graveyard to find some well preserved corpse bits to piece together.
Panels from Rex Morgan, M.D., and Judge Parker, 1/24/10
Fun fact that newcomers to the soap opera comic scene might not know: Judge Parker and Rex Morgan have different artists, but are both written by the same guy, Woody Wilson. I’m assuming that his scripts for both strips today included prominent use of the phrase “ass crack.”
Beetle Bailey, 1/16/10
I guess General Halftrack is supposed to be a one-star general — he has a single star on his uniform, anyway, and it’s kind of hard to imagine him getting promoted. It now appears that he has chosen this star as his logo, as if he were a supervillain or some kind, buying an enormous and hideous stained glass star window for his front door to boast of his status as a general officer. This may also be the origin story of the general’s starry pajamas, although those may indicate that he secretly harbors fantasies of someday becoming a 147-star general.
Also, have you noticed that very few people send personal letters anymore, which means that bills and bulk mail make up of most of what you get in your mailbox? That’s pretty funny, right? Right?
Apartment 3-G, 1/16/10
Is it possible that Ruby’s friend/casual sex partner Lyle is a bit player from Mark Trail? Because she seems to have acquired that strip’s random bolding syndrome. Remember, kids, always use protection when getting intimate with a cartoon character, because you too can fall victim to the heartbreak of RBS.
Panel from For Better Or For Worse, 1/16/10
Speaking of getting intimate, if you feel like your overactive libido is interfering with your life, why not print this panel out and look at it whenever you need to make those erotic feelings vanish in a puff of disgust? Now if you’ll excuse me, I need to go wash my mustache for the next nine hours.
Beetle Bailey, 1/10/10
Any catalog of complaints from General Halftrack’s various body parts that does not include a plea for a mercy killing from his much-abused liver is a joke and a fraud. One can only assume that the poor organ is wholly comatose at this point, or that it possibly expired in blessed relief years ago.
Panels from Barney Google and Snuffy Smith, 1/10/10
With today’s throwaway panels, it appears that Snuffy Smith is moving away from retreaded hillbilly humor and towards an interesting new creative avenue: providing absurdly elaborate but almost realistic replies to the set-ups of classic vaudeville-era jokes. “This guy on the street told me he hadn’t had a bite in weeks … so I said ‘You might want to check out this new fish place on 33rd Street, the halibut is to die for!” “Take my wife … to that Philip Glass retrospective! It’s not my thing, but I think she’d really enjoy it!”
The Lockhorns, 1/7/10
Today’s Lockhorns is particularly rich in the delightful seething contempt that keeps me coming back day after day. As if the naked animosity on the principals’ faces weren’t enough to bring joy to fans of marital misanthropy everywhere, we also have the fork jabbed into Leroy’s pile of undifferentiated food-like matter to amuse us. While it’s easy to imagine Leroy leaving it there sticking upwards to serve as a sort of visual confirmation of his complaints about the meal’s unappetizing physical qualities, the angle of the utensil, with its handle pointing away from him, implies that it was actually Loretta who put it there. Perhaps she initially appeared to thrust the fork at Leroy’s doughy torso, before changing her angle of attack at the last minute and leaving it in the home-cooked meal her husband is unable to appreciate! I also note that the configuration of the Lockhorns’ dining area seems to have changed, with Loretta’s seat being replaced by a portal to some kind of ecru nothingness, into which she can stalk when inevitably provoked.
Curtis, 1/7/10
I was about to rag on this year’s Curtis Kwanzaa storyline for its less-than-lunatic plotting and all-too-zen ending when I got to today’s final panel and found out that the whole thing was actually a touching tribute to a late friend of cartoonist Ray Billingsley. So, uh, thanks a lot, Mr. Billingsley, for making me feel even more like a petty jerk than I usually do. You’ve left me with nothing to do except point out that panel two’s depiction of an adorable bunny sleeping on the back of a contented hippo is quite charming.
Mark Trail, 1/7/10
Anyway, I certainly hope that nobody involved in the production on Mark Trail is dying inside due to neglect from his or her spouse, because I’m sure as hell going to make fun of that. Today’s exchange shows that each of the Trails has their role in this terrible dysfunctional marriage down pat, with Mark openly acknowledging that leaving his wife in a desert of emotional emptiness is just what he does!
Like a sonnet, each Mark Trail storyline is built out of a strictly defined series of components, and each story must begin with Cherry being ritually humiliated. First, she herself becomes the unwitting agent of her own loneliness. Why did she even tell Mark about that phone call, when she must have known it would lead to his almost immediate departure? In truth, she had no real choice in the matter, being driven on by her universe’s remorseless narrative logic. Compare her dialogue in that earlier strip to one from several years ago, as acted out by my lovely wife in our production of Mark Trail Theater. Amber read Tuesday’s dialogue out in her best Cherry Trail voice, and the echo was uncanny. Today, Cherry completes her debasement by launching a desperate and doomed sex advance at her husband. In panel three, Mark is closing his eyes and holding absolutely still, in the hope that Cherry will eventually lose interest and go away.
Beetle Bailey, 1/7/10
Meanwhile, Beetle Bailey grows less circumspect by the day, with Beetle no longer willing to pretend that Sarge’s elaborate exercise instructions have any purpose other than to get the young private out of his uniform trousers.