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Mary Worth, 1/5/11

Look at panel two in isolation and you’d think that Mary views father-son bonding as a spectator sport. “Here we go!” she thinks, as she pops something tan and oblong into her mouth. “They’re gonna hella bond! This is going to be great!” But check her out in panel one, looking blissed out as she shoves something or other up between her gum and her upper lip. I’m assuming it’s something hallucinogenic. “Here we go!” she’s saying in panel two. “Oh, the colors!”

Gil Thorp, 1/5/11

Much as I’ve been trying to avoid bringing it up, I feel have to acknowledge that the Gil Thorp basketball season plot seems to have set its two new characters — a Jesus-happy basketball player and an almost-certainly-gay teen as imagined by someone who’s heard of gay people but never actually met one — on a collision course. This certainly won’t be awkward, at all!

Gasoline Alley, 1/5/11

Speaking of piety, Gasoline Alley has continued its attempt to ditch its goody-goody image by dabbling in blasphemy. Today it suggests that the Holy Bible is best used as a weight-loss aid.

Spider-Man, 1/5/11

Spider-Man has lost interest in the middle of his own comic strip and let his mind wander. And who can blame him, really? I only wish he weren’t wearing his spider-mask in panel two, because it would be great to see his slack jaw and the little bit of drool emerging from the side of his mouth.

Luann, 1/5/11

Dear Luann,

Never use “finger” as a verb ever again.

Sincerely,
The Comics Curmudgeon

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Barney Google and Snuffy Smith, 1/4/11

Some of my comics obsessions — like Margo Magee’s smoldering, angry sexuality, for instance, or Mark Trail’s cheerful, violent autism — are amusing. (I assume you agree because you are after all reading this site.) However, I’m the first to admit that some of my other obsessions are just weird and sad. For instance, I’m kind of fixated on how the economy of Hootin’ Holler, the setting for Barney Google and Snuffy Smith, operates. We see very little by way of economically productive activity; the women engage in some subsistence agriculture, while the men mostly laze about and occasionally steal things. Yet the characters are shown to be at least dimly aware of money as a medium of exchange, and have some access to manufactured goods. How exactly do the inhabitants gain access to this money? Do they export things? If so, what? Chickens? Moonshine? Labor? Do the more industrious Hootin’ Hollerians head down to the flatlands to work in mines or factories for a pittance, saving money by living together in dilapidated shacks and sending cash back home to keep women and layabouts alive?

Today’s strip is particularly interesting from this perspective, as we are shown an intriguing phenomenon that can happen at the fringes of a developed economy. Loweezy is planning on engaging in barter to gain access to medical services, as is traditional in her community; however, instead of trading livestock she raised herself, she uses processed foodstuff that comes from outside the zone of local production, foodstuff that can only be produced by cultures with a much higher level of economic activity than Hootin’ Holler itself can sustain. This demonstrates that a strictly linear model of economic development rarely applies in reality, as not even the poorest and least developed communities exist in total isolation from the outside world.

That having been said, I think we can all agree that this comic would have been better if Loweezy had been offering the doctor butchered pig parts, possibly still dripping gore, especially if the medico’s grin and “gimmie gimmie” gesture remained in place.

Shoe, 1/4/11

Another thing I spend too much time thinking about is the configuration of characters required to set up the jokes in Shoe. I’m assuming that the strip began with the joke, and then two characters were sought out who might plausibly offer each half of it — notorious vice addict Shoe and naive child Skyler, in this case, never mind that generally the two of them have no real reason to interact within the strip. Is Skyler doing a report for school on comparative mammalian locomotion? Does Treetops lack a public library, forcing him to head down to the local newspaper, the one source of knowledge in the town? Don’t these birds have access to the Internet? If not, the Treetops Tattler’s decision to acquire the TreetopsTattler.com domain was extremely ill-conceived.

Herb and Jamaal, 1/4/11

Yes, there’s very little more embarrassing than your mother seeing you naked, and then dragging out the photo albums to show your best friend all the naked pictures of you she still has on hand.

Apartment 3-G, 1/4/11

I’m less surprised that Margo is watching the ball drop alone than I am surprised that she’s watching it on January 4. I guess she recorded it on the TiVo that she’s got hooked up to her 13-inch black-and-white TV.

Curtis, 1/4/11

Not satisfied with ruining Kwanzaa with a depressing tale about unemployment, Curtis has upped its game: our saintly hero asked a magic mouse for world peace, and the mouse responded by wiping out all human life. Ironic genocide is, of course, the best kind of genocide.

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I hope you will forgive an off-schedule metapost today. Though I usually don’t actively hawk my ad space to advertisers on the blog, I do want to make a special offer to cartoonists/comics artists/graphics novelists, or anyone who runs a comics-themed Web site or owns a comics-related business. If you fall into one of these categories, during the month of January, you can buy space in two of my ad slots — the large square at the top right of each page, and the banner that runs between the first and second post — for half off the usual price. You won’t find a more dedicated group of comics readers than the denizens of this site, so this is probably one of your best bets for advertising. You could buy 10 percent of the impressions on the banner for three days for only $5.10! These slots are perfectly sized for comics, so let your artistic imagination run wild!

For more information on regular pricing, click here for the large square and click here for the banner ad. Remember, if you want to buy a comics-related ad, you pay half those prices. Email me at bio at jfruh dot com and I’ll set you up with the discount.

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