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Three for Thursday today, folks:

Gasoline Alley, 11/10/05

Check out the turtle-mouthed death’s-head look that the hateful Lil Skinner is sporting in panel one. You don’t know how much I wanted this to be the harbinger of the horrible truth: that Lil really was dead, and that Slim was carrying on a week’s worth of Norman Bates-style insane conversation with her withered, husk-like corpse. Unfortunately, Clovia seems to see her alive and well in panel three, so I guess we’re stuck with yet more hijinks from the comics pages’ most transparent sociopath.

Rex Morgan, M.D., 11/10/05

OK, OK, Rex Morgan, we get it, OK? You like to look up Rex’s nose. But why do you have to make us look up his nose so often?

Sheesh.

Curtis, 11/10/05

Now, I mock Curtis a lot. I’m a Curtis-mocker, it’s fair to say. But I do like the art, and it’s growing on me more and more over time. What comic would spend time lovingly detailing a large, late-middle-age woman with a gynormous bosom as she levitates three feet off the ground in wide-eyed panic? Curtis would, that’s who. And I for one salute it.

Speaking of sociopaths, I’m guessing the perpetrator of this arachnoid outrage is none other than “Tuffy,” the kid who brought a gun to school a few weeks ago; it turned out to be a squirt gun, but it still would have gotten him sent to a lock-down facility in any actual school district in twenty-first century America. His capacity for over-the-top mischief seems matched only by his unfounded loyalty to Curtis, which could result in discomfort-causing storylines far more intriguing than that damn invisible lizard’s latest antics.

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So I slacked off the whole weekend, going off “having fun” and “enjoying myself” instead of posting comics for your amusement. O the shame! And during such a wacky weekend for the serials, too. Here’s a quick recap, one panel at a time:

Tommie and Lu Ann showed off their synchronized head bobbling.

“Brick” House showed off his vocabulary.

Mimi let her cloaking device briefly disengage and showed off the steel hair and terrifying, alien visage that keeps her EON minions in line.

Dr. Jeff showed off his mastery of platitudes.

And Spider-Man showed off … well, I’m not really comfortable talking about what Spider-Man showed off.

Meanwhile, in da hood…

Curtis, 10/17/05

Holy cow, Curtis is getting interesting! First it gets rid of one side of the comics’ least interesting love triangle, then it takes on gun-fueled school violence! No doubt by the time you read this you’ll know who’s holding that gun, but right now I’m on tenterhooks. Is it Chutney? Gunk? Barry? Or just another kid who listened to a little too much “Fortyounce” or “Bullet-Wound,” which is going to result in a Valuable Lesson About Media Violence?

Oh, and speaking of boring love triangles and violence:

Luann, 10/17/05

Yeah, just visiting a pal … in the back seat of his moving car! Seriously, did Dirk just materialize behind Brad completely unbidden and announced? Am I missing something here? Is the Dirk storyline going to be resolved in the only way that will make it all worthwhile: with the revelation that “Dirk” is a figment of Brad’s imagination, a representation of his untrammeled, unrepressed id combined with his repressed homoerotic fantasies? A guy can dream, can’t he?

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Curtis, 10/8/05

“Oh, yes! You’re the child that insisted that you were in a relationship with her despite her denials, and threatened her with violence if she dressed ‘inappropriately,’ aren’t you? How dear! Yes, I’m happy to supply whatever information we have about her. Would you like the address of her new school? How about her home phone number?”

As unlikely as I find this storyline, with everyone in the school knowing about Michelle’s transfer except for the one boy who’s been psychotically obsessed with her forever, and with the school records officer freely handing out confidential information without any money even changing hands, I have to admit that I like it for a number of reasons: it showed us Curtis rendered zombie-eyed with grief; it allowed for some quite evocative art in the third and fourth panels; and it seems to finally, finally put an end to the increasingly tiresome Curtis-Michelle-Chutney triangle. Or so it seems, at least. I’m sure if there’s a way to drag it out even further, Curtis will find it.