Archive: Dick Tracy

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Herb and Jamaal, 1/31/13

So, when does a comic make the jump from “funny little joke about life’s foibles” to “horribly depressing”? In the case of today’s Herb and Jamaal, that moment came when the artist decided to add such vivid emotion to Sarah’s face in panel one, as she briefly mistakes Herb’s clumsy reach for the lamp as an attempt to touch her affectionately. Is he going to hug me? Could this actually lead to sex? Haha, don’t be silly, Sarah, you’ve reached a “comfortable” point in your marriage, if you define “comfort” as “a cold, numbing absence of strong feelings of any kind.”

Dick Tracy, 1/31/13

I think traditionally Dick Tracy has used arrow-box-labels to identify the bits of gee-whiz technology the strip’s law-enforcement characters usually deploy. But since things like two-way wrist radios have now been superseded by boring, ordinary cell phones, I guess they’re just now going to be pointing out random objects. Architectural details in early 20th century mausoleums? Skeletons inside said mausoleums, which is exactly the sort of place you’d expect a skeleton to be? Sure, why not!

Spider-Man, 1/31/13

Say, what’s our good friend the Amazing Newspaper Spider-Man been up to since he was physically present when Kraven’s plot was foiled? Well, after finding out that one of his old nemeses was up to his old tricks in San Francisco, he decided to hitchhike from Las Vegas to San Francisco, because of poverty. (Isn’t MJ making decent money as a Broadway actress, enough to subsidize a bus trip or perhaps even coach-class plane travel? Maybe she quite wisely refuses to give him access to her bank account.) Then the guy who picked him up tried to rob him at gunpoint, and then he crushed the barrel of the gun with his bare hands, without the usual seven strips of agonizing about “oh, no, my secret identity,” presumably because whatever happens on I-15 several hours outside of Vegas stays on I-15 several hours outside of Vegas. Today’s strip made me laugh because of how devastated our ne’er-do-well is at the prospect of spending a few minutes looking for his keys in a roadside ditch. I’m thinking if you threaten someone with a gun and he turns out to have superhuman strength, this is probably one of the better possible outcomes?

Slylock Fox, 1/31/13

“So, what’re you doing, bro? I’m just gettin’ baked, makin’ calls on my fuzzy phone, and taking a bath in a tub full of pancake batter.”

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Heathcliff, 1/18/13

I am seriously puzzled about just what exactly Heathcliff’s puppet-thing is supposed to be. The holes (or are they just black dots?) and the general shape and the proximity to mice remind me of a stereotypical wedge of cartoon Swiss cheese that the colorists have misjudged into greenness. But perhaps not? Maybe it’s some sort of weird makeshift sponge-puppet? I’m a little resentful about the ambiguity, because it’s distracting me from the delightful main point of the strip, which is that Heathcliff rules the local mice as a brutal dictator, demanding not just that they obey him in deed, but that they love him, deep in their souls. Heathcliff’s second-rate ventriloquist antics are in fact an elaborate test of loyalty. The two unhappy mice in the back of the queue here will soon be reported by informers to his brutal Happiness Police.

Judge Parker, 1/18/13

Judge Parker’s seems to be on the verge of a new plot that will test the philosophical boundaries of its own fictional universe. Specifically, it will answer the question we’ve all wondered about: is there a sum of money so large that it can, when spent, actually have a noticeable effect on the balance sheet of the Spencer-Driver clan? Keep in mind that Neddy, Sam and Abbey’s daughter, is a college student, and yet today’s strip reveals that she has her own private banker. One assumes that, in order for this to even get on her parents’ radar, these “large withdrawals” involved a fleet of armored trucks guarded by elite French special forces troops.

Dick Tracy, 1/18/13

Wow, it turns out I my interpretation of Lake Freedom’s significance was all wrong! Because it turns out that underneath Lake Freedom there’s an internment camp. That’s symbolism, guys, symbolism about America, really makes you think, hmm?

Spider-Man, 1/18/13

Sometimes conventional law enforcement in the Newspaper Spider-Man world is also super-incompetent, probably mostly to make Spidey feel better about himself.

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Mary Worth, 1/14/13

Could Dr. Jeff’s instincts about Mary’s platonic male cake-making partner have been right? If John’s really just a widowed amateur cakemaker, looking to win a contest and break into this high-pressure, rewarding world, then why is he rubbing his hands together and sneering like a supervillain in panel two? “I want to show you my design, Mary … it’s a giant laser, made entirely out of cake, and capable of destroying a city with a push of a button! Who’s just some retired innkeeper with a dumb William Powell mustache now, eh? Eh? MOO HA HA HA HA!”

Family Circus, 1/14/13

Good lord, this is one of the saddest Family Circuses I’ve ever seen. Dolly and Jeffy’s purposeful stride, Dolly’s narrowed eyes, and Grandma’s stricken expression pretty much make it clear that the Keane Kids simply walked out on their grandmother in mid-anecdote. “We get, it, Grandma, things were different when you were our age. How about telling us what things were like when you were old enough to be interesting but not old enough to be boring? What were the cool drugs? What famous dudes did you mess around with? Did you ever stab a man in self-defense, or for fun? We’ll be in the other room, watching TV and picking our noses, any time you want to come and get real with the reminiscing.”

Shoe, 1/14/13

Notice the contrast between Shoe and the Perfesser’s reactions in panel two. Shoe displays this strip’s Trademark Goggle Eyes Of Horror at hearing that Roz holds no strong opinion about a feature in his newspaper. He’s genuinely shocked that a citizen isn’t interested in the opportunity to make her opinions known to the world. The Perfesser, meanwhile, maintains his soul-numbed, heavy-lidded expression. He knows he works for a second-rate publication that’s part of a dying industry. He knows nobody cares about what he does and that once he dies his life’s body of work will be instantly forgotten. This is what the world has to offer. It is what he has come to expect.

Dick Tracy, 1/14/13

A metaphor for our fallen nation: now that “Lake Freedom” has been drained, we need some kind of elitist college professor just explain to us how to open a metal box. CAN YOU HEAR THE EAGLES WEEPING?