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The Lockhorns, 1/7/10

Today’s Lockhorns is particularly rich in the delightful seething contempt that keeps me coming back day after day. As if the naked animosity on the principals’ faces weren’t enough to bring joy to fans of marital misanthropy everywhere, we also have the fork jabbed into Leroy’s pile of undifferentiated food-like matter to amuse us. While it’s easy to imagine Leroy leaving it there sticking upwards to serve as a sort of visual confirmation of his complaints about the meal’s unappetizing physical qualities, the angle of the utensil, with its handle pointing away from him, implies that it was actually Loretta who put it there. Perhaps she initially appeared to thrust the fork at Leroy’s doughy torso, before changing her angle of attack at the last minute and leaving it in the home-cooked meal her husband is unable to appreciate! I also note that the configuration of the Lockhorns’ dining area seems to have changed, with Loretta’s seat being replaced by a portal to some kind of ecru nothingness, into which she can stalk when inevitably provoked.

Curtis, 1/7/10

I was about to rag on this year’s Curtis Kwanzaa storyline for its less-than-lunatic plotting and all-too-zen ending when I got to today’s final panel and found out that the whole thing was actually a touching tribute to a late friend of cartoonist Ray Billingsley. So, uh, thanks a lot, Mr. Billingsley, for making me feel even more like a petty jerk than I usually do. You’ve left me with nothing to do except point out that panel two’s depiction of an adorable bunny sleeping on the back of a contented hippo is quite charming.

Mark Trail, 1/7/10

Anyway, I certainly hope that nobody involved in the production on Mark Trail is dying inside due to neglect from his or her spouse, because I’m sure as hell going to make fun of that. Today’s exchange shows that each of the Trails has their role in this terrible dysfunctional marriage down pat, with Mark openly acknowledging that leaving his wife in a desert of emotional emptiness is just what he does!

Like a sonnet, each Mark Trail storyline is built out of a strictly defined series of components, and each story must begin with Cherry being ritually humiliated. First, she herself becomes the unwitting agent of her own loneliness. Why did she even tell Mark about that phone call, when she must have known it would lead to his almost immediate departure? In truth, she had no real choice in the matter, being driven on by her universe’s remorseless narrative logic. Compare her dialogue in that earlier strip to one from several years ago, as acted out by my lovely wife in our production of Mark Trail Theater. Amber read Tuesday’s dialogue out in her best Cherry Trail voice, and the echo was uncanny. Today, Cherry completes her debasement by launching a desperate and doomed sex advance at her husband. In panel three, Mark is closing his eyes and holding absolutely still, in the hope that Cherry will eventually lose interest and go away.

Beetle Bailey, 1/7/10

Meanwhile, Beetle Bailey grows less circumspect by the day, with Beetle no longer willing to pretend that Sarge’s elaborate exercise instructions have any purpose other than to get the young private out of his uniform trousers.

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For Better Or For Worse, 11/19/09

I’ve been staring at this vintage Foob strip for a while, trying to figure out if the seatbelts have been only been drawn in for 21st century reprint purposes. I kind of think they have been, especially based on the final panel, where Ellie’s shoulder strap sort of vanishes abruptly at the edge of her shoulder rather than fading into the zip-a-tone murk as one might expect, and Michael’s lap belt and shoulder strap stay wrapped around him despite his being dragged bodily into the next seat. So, yeah, neither of them were wearing seatbelts when this strip was drawn, presumably in the late 1970s or early 1980s, and that’s OK! It was the style at the time! I can distinctly remember that when I was roughly Michael’s age here — an age at which, I assume, a child today would be lashed into a rear-facing car seat — we had a peppy Plymouth Champ, with a buzzer that would go off if the passenger seatbelt wasn’t fastened; so, my mom would let me fasten it before I got in the car and then I would just sit on top of it. And that was totally normal! She didn’t want me to die or anything! One can be nostalgic for an earlier time with, though you probably wouldn’t be if you had a kid who died in a car accident because they weren’t strapped down properly. Still, does it make me a monster if I wish that newly regenerated young Michael were cruising along unsecured as his mother attempts to drive under the influence of whatever the 1970s Canadian equivalent of NyQuil was? Because we’ve seen what’s in store for him, and maybe it would be better if he just went face-first into that lovingly rendered radio.

Rex Morgan, M.D., 11/19/09

Ha ha, hilarious fisticuffs delivered! It appears that Tim is rapidly devolving into some kind of feral monster; poor Cue is right to be scared! Unfortunately, if his crib wasn’t capable of keeping out a couple of deranged old people, it certainly won’t provide shelter from whatever kind of violent, hideous gnome Tim has become. I know that sometimes if men act heroic and protective it will cause the ladies to swoon, Tim, but I think Becka will cease to be aroused right around the time you start chewing off Cue’s face.

Lockhorns, 11/19/09

I’m assuming this is one of those “I walked into a doorway” domestic violence cover-up stories, because I’ve never actually seen Leroy and Loretta in church. And really, why would they go? Why would they worship any deity who has placed them into a universe of such intense and unmitigated misery?

Mary Worth, 11/19/09

Normally statements along the lines of “my life was an empty desert of existential meaninglessness until I started nurturing new life inside my uterus” enrage me, but I’m willing to allow it here on the off chance that Delilah is subtly trying to insult the childless Mary Worth. “Mary, don’t you wish you had come to your senses sooner … before your once bountiful womb became withered and barren?” Thus perhaps this isn’t a Delilah-centered story we’re starting; rather, she may just be returning in a cameo to put the real plot in action. Just as Tommie the Tweaker reappeared just to prove that Ella Bird’s psychic powers were legit, so too will Delilah’s child-bearing smugness primarily serve to send Mary into a funk that she can only solve one way: by forcing Dr. Jeff to steal a baby for her.

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Beetle Bailey, 10/20/09

Look, Sarge, we all know that you’re excited about the promised repeal of Don’t Ask, Don’t Tell, and look forward to the day when you will no longer have to use “cake” as a code word for “sodomy.” But sexual couplings of all possible gender combination will still be banned by Army regulations in any facility where food is served. That’s just a hygiene issue.

Apartment 3-G, 10/20/09

OH MY GOD TOMMIE MAKEOVER STORYLINE! We’ve all been calling for Tommie’s character to be remade; now we’ll get to see her be literally made over by fashion professionals. At the end of the process, she’ll look great, but she’ll still be Tommie, so nobody will like her; a valuable and depressing lesson will be learned by all.

Lockhorns, 10/20/09

I’m not sure what’s more likely here: that Loretta has poisoned Leroy and left his putrefying corpse on the couch as a reminder of her ultimate triumph, or that just died peacefully in his sleep, of ennui, and Loretta’s been so emotionally deadened by years of marriage to him that she hasn’t worked up the energy to call the morgue yet.