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For Better Or For Worse, 11/19/09

I’ve been staring at this vintage Foob strip for a while, trying to figure out if the seatbelts have been only been drawn in for 21st century reprint purposes. I kind of think they have been, especially based on the final panel, where Ellie’s shoulder strap sort of vanishes abruptly at the edge of her shoulder rather than fading into the zip-a-tone murk as one might expect, and Michael’s lap belt and shoulder strap stay wrapped around him despite his being dragged bodily into the next seat. So, yeah, neither of them were wearing seatbelts when this strip was drawn, presumably in the late 1970s or early 1980s, and that’s OK! It was the style at the time! I can distinctly remember that when I was roughly Michael’s age here — an age at which, I assume, a child today would be lashed into a rear-facing car seat — we had a peppy Plymouth Champ, with a buzzer that would go off if the passenger seatbelt wasn’t fastened; so, my mom would let me fasten it before I got in the car and then I would just sit on top of it. And that was totally normal! She didn’t want me to die or anything! One can be nostalgic for an earlier time with, though you probably wouldn’t be if you had a kid who died in a car accident because they weren’t strapped down properly. Still, does it make me a monster if I wish that newly regenerated young Michael were cruising along unsecured as his mother attempts to drive under the influence of whatever the 1970s Canadian equivalent of NyQuil was? Because we’ve seen what’s in store for him, and maybe it would be better if he just went face-first into that lovingly rendered radio.

Rex Morgan, M.D., 11/19/09

Ha ha, hilarious fisticuffs delivered! It appears that Tim is rapidly devolving into some kind of feral monster; poor Cue is right to be scared! Unfortunately, if his crib wasn’t capable of keeping out a couple of deranged old people, it certainly won’t provide shelter from whatever kind of violent, hideous gnome Tim has become. I know that sometimes if men act heroic and protective it will cause the ladies to swoon, Tim, but I think Becka will cease to be aroused right around the time you start chewing off Cue’s face.

Lockhorns, 11/19/09

I’m assuming this is one of those “I walked into a doorway” domestic violence cover-up stories, because I’ve never actually seen Leroy and Loretta in church. And really, why would they go? Why would they worship any deity who has placed them into a universe of such intense and unmitigated misery?

Mary Worth, 11/19/09

Normally statements along the lines of “my life was an empty desert of existential meaninglessness until I started nurturing new life inside my uterus” enrage me, but I’m willing to allow it here on the off chance that Delilah is subtly trying to insult the childless Mary Worth. “Mary, don’t you wish you had come to your senses sooner … before your once bountiful womb became withered and barren?” Thus perhaps this isn’t a Delilah-centered story we’re starting; rather, she may just be returning in a cameo to put the real plot in action. Just as Tommie the Tweaker reappeared just to prove that Ella Bird’s psychic powers were legit, so too will Delilah’s child-bearing smugness primarily serve to send Mary into a funk that she can only solve one way: by forcing Dr. Jeff to steal a baby for her.

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Mark Trail, 11/17/09

Hello there, faithful readers! I think it’s been a little too long since you were last treated to the dimension-warping horror that is apparently the natural configuration of Rusty’s face when he’s excited about Sassy. So, enjoy! Take a good look at his eyes bugged out in terror! Against your better judgment, try to look down his maw, only to see darkness, infinite darkness! Watch each of his blue-black hairs rippling across his huge, bulbous head! And then maybe you’ll understand why Mark doesn’t let Rusty go to school with the other children.

Mary Worth, 11/17/09

So I’m guessing that someone over at King Features told the Mary Worth creative team to use the interweaving and ongoing Apartment 3-G storylines as a model, rather than this strip’s typical self-contained plots. The grinding of the plot-shifting gears are still loud and obvious; it’s just that we appear to be revisiting older plots rather than allowing them to vanish into Mary’s Successful Meddles file. Thus, we had “Adrian gets flim-flammed” followed by “Delilah in Charley’s sex den” followed by “Adrian’s boyfriend in a coma,” and now we’re back to Delilah again.

But! Perhaps Mary Worth needs to learn when a beloved character from the past should be revived! For instance, Adrian was a prime candidate for a plot sequel, since her previous storyline had ended with her emotionally devastated and in the process of being wooed by an unethical cop who was the son of Dr. Jeff’s secret schoolboy crush. EXCITING! When we last saw Delilah, meanwhile, she had rejected Charley’s lustful advances and was reconciling with her boring husband. We certainly don’t need to see any more of that. It’s possible that Delilah is calling to beg for advice on her compulsive need to rapidly change clothes, having somehow gone from a canary yellow number to an even more hideous salmon-colored tracksuit in just a few seconds; but more likely she’s just calling to let Mary know that she’s finally decided to embrace her womanly destiny and pop out a kid. If so, I hope for entertainment’s sake she at leasts brings the little squaller over to Charley’s no-children-allowed pad, to humiliate him further.

Blondie, 11/17/09

Most everyday objects in Blondie, like Herb’s weirdly top-heavy little car, are in a sort of boring version of the uncanny valley: while not cartoonish enough to be funny or interesting, they’re also not particularly realistic-looking if you really examine them for any length of time. I have to say, though, that in panel two pretty much nails that lonely exurban freeway off-ramp and overpass. The dark sky makes for quite an evocative scene, as these four white-collar drones head back to their identical houses, bickering in a desultory fashion about their hated jobs, in that incongruously cheery pastel car.

Family Circus, 11/17/09

Normally I’m against any and all premature expressions of the Christmas spirit, but if Dolly is humming her little tune slowly and creepily off-key while staring at Billy with that blank expression as a prelude to strangling him with a garland of tinsel, I’ll let it pass.

Marmaduke, 11/17/09

It probably shouldn’t come as any surprise that Marmaduke has harnessed the slower, plumper inhabitants of his community so as to more efficiently drag them off to his blood-drenched devouratorium. The question is, how did he get these poor damned souls to ingest the powerful tranquilizers that have made them so complaisant and easily led to their own doom?

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Mary Worth, 11/16/09

So, it looks like Scott is going to be A-OK, now that Dr. Jeff has given him and his sexy legs the once-over! Adrian is of course a doctor as well, but her medico-vision was disabled by grief and estrogen, so it was important for Jeff to make sure. (A competent doctor who was not a relative or potential relative of the patient was unavailable, as Dr. Jeff has made sure that everyone who works with him at Santa Royale General is one of his cronies or offspring.)

Anyway, with a mighty MEANWHILE, our narration box thrusts us pell-mell into the next storyline, and panel two shows us why we keep tuning into this feature. Who is making a phone call, and to whom? Is it someone calling to tell Mary that she’s wearing a hideous canary-yellow skirt-suit just like the one Mary’s been wearing all week, presaging a “Single White Meddling Biddy” storyline? Let’s hope!

Dick Tracy, 11/16/09

Here is the ethical dilemma for me as a Dick Tracy reader: each and every storyline inevitably ends in a scene of gruesome violence — with people being electrocuted or torn to bits by vicious dogs or run over by bulldozers — that I am genuinely shocked and discomfited to find on the comics page. And yet the rest of the strip is so baffling and dull that these flesh-mangling episodes are all I feel that I have to look forward to in this feature. Thus, I’m feeling pretty cheated right now, because despite several months’ worth of foreshadowing, not a single person in this interminable circus storyline has been mauled by a tiger, despite many chances for such a thing to happen. One can only hope that the plot’s various ne’er-do-wells have been spared that fate so that Dick can line them up and shoot them in the face one by one.

Luann, 11/16/09

For the record, this is a bad idea because Brad will try too hard and screw everything up, plus TJ will attempt to seduce Brad’s mom. His whipped sweet potatoes will still be exquisite.

Curtis, 11/16/09

I have never claimed to some kind of consistency in my comics likes and dislikes. Thus, while Marvin’s endless poop-smeared antics repulse me, I will always laugh at jokes about Curtis’s little brother picking his nose with malice aforethought, especially when this is indicated by comical sound effects.

Hi and Lois, 11/16/09

I realize that “nostalgia music” was more or less necessary to set up the punchline here, but for full sneering-at-old-people effect, I prefer “dinosaur rock” myself.

Oh, and Vintage Guitar magazine? It exists, my friends. Order it now for the dinosaur rocker on your Christmas list!

Spider-Man, 11/16/09

Newspaper comic strip Spider-Man trufans have been enjoying this plot so far, but have been waiting with mounting anxiety for the moment when the plot will hinge on the non-functioning of an ordinary household electronic device. Never fear, faithful readers! You know this feature always comes through for you!

More Josh-on-the-radio news! If your local public radio station carries Dick Gordon’s “The Story,” I am on it, today, talking nostalgically about being laid off during the last recession! In the Baltimore area it’s on WYPR at 8 pm. I will post a link to the podcast when available!