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Hi and Lois, 3/8/09

My goodness, today’s Hi and Lois presents one of the most searing indictments of standard-issue suburban heteronormality that I’ve ever seen — it certainly strikes me as more compelling than Revolutionary Road, which, I should confess, I didn’t see, because it looked pretty snoresville. Side note: I think Revolutionary Road should have been marketed as a Titanic sequel, and framed as a dream sequence going through Leo DiCaprio’s character’s mind as he froze to death in the North Atlantic, imagining what his life would be like if he survived and married Kate Winslet’s character. The numb, soul-crushing lifestyle he envisions for their future would really just reflect the fact that his body and mind are shutting down in the icy waters.

Wait, where was I? Oh, right, Hi and Lois. Lois, driven completely bonkers by her unruly brood, contemplates just leaving, just walking out, getting some “fresh air” and not coming back. Her wide-eyed look in the next-to-last panel is particularly harrowing: she’s just staring off to space, thinking, “What if I just keep standing here? They say that freezing to death is just like falling asleep. You don’t even feel anything. Wouldn’t that be nice? Wouldn’t it be nice to fall asleep in the nice white fluffy snow, forever?” Eventually, she decides that venturing into her hell-house is marginally better than dying of frostbite, so she turns around and returns, a wan little smile on her face.

The first two throwaway panels add an extra little bit of awful to the whole affair. “Woah,” Hi says, “Your mother sure looks like she’s about at her breaking point! I’m just going to take this newspaper with me to the bathroom and not come out again for the rest of the night.” At least Chip doesn’t actively flee when asked to help, though I note that he “took over” without once getting off the couch or even looking up from the tiny little screen on his cell phone.

Mary Worth, 3/8/09

On that note, I should mention that Mary Worth appears to be setting itself up to compete with the recently completed “sometimes we slap and terrify our partners because we love them too much” Mark Trail storyline in the repressive patriarchy department. Adrian may be a full-grown adult and a doctor to boot, but we’ll soon learn what happens when a fragile, vulnerable, young little girl attempts to choose her own husband: betrayal and grifting and heartbreak and despair. Once Ted has left town with her life savings, Adrian will finally agree to the plan her father has been pushing all along: an arranged marriage with the son of Dr. Jeff’s neighbors, so that their children will eventually inherit both estates and achieve a higher status in the ranks of the local landed gentry.

Family Circus, 3/8/09

Ah, NyQuil — is there any problem you can’t solve?

Panels from Dennis the Menace, 3/8/09

There’s nothing Mr. Wilson longs for more than to pound back a few bourbons, get in his car, and slam himself into a tree.

Crankshaft, 3/8/09

Ha ha! It’s funny because Crankshaft is old, and all his friends are dying!

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Mark Trail, 3/6/09

I’ve been trying, and failing, to come up with a funny about what appears to be the terrible, terrible ending to this Mark Trail storyline, in which we get to see Patty, after months of living in obvious and sustained terror of her slap-happy, quick-trigger husband, groveling for his forgiveness. It’s OK, you see, because he took his medicine (in the form of some antlers to the solar plexus), and he only did it because he loved her too damn much! Ha ha ha! We should have all known that Ken would turn out to be a good guy because, hey, the man can trim off his facial hair like a pro. And now they’ll live happily ever after, until the murder-suicide.

Mary Worth, 3/6/09

Now, passive-aggressive psychological manipulation in relationships — that’s all good fun. “It also makes people check their common sense at the door! Emotions sometime override intelligent thought! Why, you can find yourself trapped with someone who isn’t as they seem, whose sweetness and light in public disguise their need to control and …” “Jeff, I’ve said repeatedly that Adrian will be fine — why are you still talking? Do you want to be banished back to first base for the rest of the month? Do you?”

Gil Thorp, 3/6/09

Good lord, look at the pupils on New Wave Hairstyle Girl Whose Name I Don’t Know in panel one. By “Ashley,” she clearly means “that enormous bag of Ecstasy I bought yesterday.”

Funky Winkerbean, 3/6/09

Teen Lesbian Locker Room Hookers — coming up next, on the Spice Channel.

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Beetle Bailey, 3/1/09

Sometimes people complain about the mishmosh of anachronisms and inaccuracies that make up the military uniforms in Beetle Bailey, to which I respond: check out what happens when the artists try to draw any other form of clothing. While most of these outfits are rendered with equal parts lazy and terrible (and I long to hear faithful reader Fashion Police’s take on them), I feel must I draw particular attention to Rocky, slouching there smack dab in the middle of this grid of awfulness. While I suppose I am not an authority on what constitutes “urban hip,” I feel that I can with some certainty give examples of what “urban hip” is not, and here is one: an oversized, untucked, bright red waistcoat, worn over what appears to be a white t-shirt with a single, incomprehensible button at the collar.

Zero’s bit of hanky code, meanwhile, is neither to be asked about nor told of.

Family Circus, 3/1/09

More proof that the Keane Kids are unnatural demon-children. “AAGGGGH! The yellow face, it BURNS!”

Mark Trail, 3/1/09

Another example of how the top row of throwaway panels can subtly alter a strip’s dynamics. Without them, today’s Mark Trail is just a charming story of poisonous plants and early biological warfare. But with the mention of the poisonous plants growing in your yard, this becomes a manual for a guerilla army. “So remember, kids, when the invaders come to your town, you’ll have a weapon ready to strike back at them even after they confiscate everybody’s firearms. Wolverines!”

Mary Worth, 3/1/09

Ted has finally and officially been outed as a cad by his cheapskate thought balloon in today’s final panel. I’m sure we’ll have much more delicious character assassination to enjoy over the coming weeks, but today I want to dwell briefly on just how damn pleased with himself Jeff looks as he bellows out his offer to pick up the check. Presumably everyone in his family just views him as a giant talking wallet, and he’s internalized that and is now just desperate to please in the only way he knows how.

Panel from the Phantom, 3/1/09

While Spider-Man’s narration box is acknowledged as the sassiest of superhero narration boxes, the Phantom’s is no slouch. I was particularly impressed by this atmospheric and semi-comprehensible offering today. It sounds like the latest underground hip-hop album to hit the street (though I leave to the reader to determine whether “Day of Reckoning” should be the artist name and Through the Eyes of a Thug the album title, or vice versa).