Archive: One Big Happy

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Beetle Bailey, 2/8/08

I’m a man of great complexity and great misanthropy; thus, while I always complain when boring legacy comics like Beetle Bailey are stupid and painfully obvious, I also reserve the right to complain when they’re stupid and completely opaque. Is this supposed to be some kind of cutting commentary on “modern art”? Is the wall-squiggle supposed to be what the already stylized medium of graffiti art would look like rendered in the stylized, cartoonish world of Beetle Bailey? Is there in fact something wrong with the mouth? I’m confused. Confused and angry.

Gil Thorp, 2/8/08

Gil Thorp, meanwhile, remains a pure, soothing delight. I hope that the whole town of Milford bands together to help track Andrew’s every movement out of a sort of exasperated affection for his obviously unhinged stalkee. The A-Train will eventually be driven to madness and suicide by the constant feeling of being watched by everyone he encounters. Remember, it takes a village to stalk a child!

One Big Happy, 2/8/08

I can’t believe it’s been more than a year and a half since the last appearance of Earl the Weird Vacuum Cleaner Lovin’ Kid, possibly the greatest One Big Happy incidental character in history. Today’s strip mainly seems dedicated to using the word “suck” in a way will shock the bluehairs but technically won’t be the least bit dirty, but I’m much more unsettled by just how amorous Earl’s getting with the vacuum in the final panel.

Rex Morgan, M.D., 2/8/08

It’s OK for me to enjoy Rex’s usual look of smug dickishness being replaced in the final panel here with one of pure sliding-down-the-mountain terror because I know he’s going to come out of it more or less unharmed. I mean, his name is on the strip, right? It’s not like they’d rename it Rex Morgan, Mud-Caked Mouldering Corpse, would they?

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Crankshaft, 1/4/08

Hey! Remember yesterday, when I said that Crankshaft combined Family Circus-esque “funny” wordplay and soul-searing bleakness? Well sometimes, they don’t even bother with the puns! Sometimes it’s just an angry, lonely old man contemplating his own impending death. Whee!

Mark Trail, 1/4/07

I love that Mark is totally baffled by Luke’s motivations here. “Why would anyone break the law just to spend more time hanging out with a girl? Do you think he put his thingy in her hoo-hoo? Yuck! Luke should get married like me. Then nobody thinks you’re weird but you never have to spend any time with girls ever!”

Apartment 3-G, 1/4/08

Watch out, Eric! When the four different voices in Margo’s head all say the same thing, it means nothing but trouble.

One Big Happy, 1/4/08

Ah, my favorite kind of One Big Happy: The kind where Joe realizes that his smug satisfaction in his own ignorance is only going to be cute for another year or two, and decides to milk it for all it’s worth.

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Rex Morgan, M.D., 10/7/07

More often than not, when I mention to people that I’m a fan of Rex Morgan, M.D., and similar strips, it completely boggles their mind. “But how can you force yourself to read that boring crap day after day?” is generally the sort of thing they ask me. Days like today are the payoffs that keep me going. Sure, the final panel, with Rex going into such paroxysms of shock and horror that his face is about to collapse in on itself, would be hilarious even without context, but you really need to backstory to appreciate all the other psychodrama going on here — everyone’s sneering at Rex’s mothball-scented bid to match his father’s rugged outdoorsmanship, and Niki blowing the whole thing to bits with his city-kid need for creature comforts.

In a conventional narrative, Rex and Niki’s initial antagonism on the trip would eventually soften into mutual compromise — Rex would wow Niki with his fly-casting skills, and Niki would teach Rex hip youth-culture lingo like “radical” and “extreme”; and maybe Niki would help Rex understand why the good doctr needs his dead father’s approval so badly, and that a situation where one is waist-deep in water and short on food isn’t necessarily a Katrina survivor’s idea of fun. But this is Rex Morgan, M.D., a strip whose hero never even tries to grow as a person or engage in a single moment of self-reflection. Niki will be made to hate fishing every bit as much as young Rex did, only to try to force it on his own son years later for reasons he can only dimly grasp. Thank God Sarah Morgan was born a girl, and is thus forever safe from Rex’s relentless Pygmalionesque schemes.

Mary Worth, 10/7/07

And sometimes the hoary old soaps can deliver perfect moments of emo pathos. I have to admit that, while the grinding gears of Mary Worth plot changes are generally audible from miles away, I’m not sure whether this is meant to be a capstone on l’affaire Drew or a setup for more heartstring-pulling to come. Either way, though, I’m going to enjoy imagining these roses sitting on Dawn’s dresser, withering more and more each day, but staying in their vase until they’re reduced to a skeletal mess, and Dawn seeming to draw more and more strength from their death until she’s more powerful than Drew could possibly imagine.

One Big Happy, 10/7/07

Ha ha, this is some of the most dick-tastic dad action in the funnies since — well, since Rex Morgan. One could argue that the point of a school-assigned spelling lists is to teach children how to spell, not how to memorize arbitrary lists of words just long enough to pass a test, and that we should be impressed that Joe has actually managed to get his little pea brain around the concept of homonyms. But then we wouldn’t have gotten to see Joe squirm about in his usual learning-avoiding contortions. Dad’s shown himself to be more of a math guy, anyway.

Spider-Man, 10/7/07

This strip is notable solely for panel five, which contains a passable likeness of Leonardo DiCaprio that apparently absorbed all of the artist’s celebrity-drawing abilities, as nobody else at this “Hollywood costume party” is even remotely recognizable as someone famous. But while I’m here, I might as well point out that this is yet another example of the most irritating weapon in Spider-Man’s narrative arsenal: the dilemma that solves itself in a day or two with no intervention from the protagonist whatsoever (see here for a particularly egregious example from a couple of years ago). In this light, it’s probably impossible to believe that the typically dramatic NEXT! box will live up to its promise. “You can’t go home again — or can you? Oh, wait, actually, I was right the first time. It turns out that you can. Never mind!”