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The Comics Curmudgeon 2008 Fall Fundraiser



Click here or above to support the Comics Curmudgeon. Thank you!

— Uncle Lumpy

Ah, love! Makes the world go ’round ‘n’ all, but its course never did run smooth — let’s watch!

Sally Forth, 10/2/08

Well, everyone feels good for Ted, of course, but let’s not neglect the opportunity this represents for Alice. She hasn’t.

Mary Worth, 10/2/08

This only seems to be a test of Toby’s trust and Ian’s forgiveness. Toby’s issues center on her own impulse control and Ian’s attentiveness: when she blurts out her secret during the first five seconds of their reunion, will he listen to a word she says? Mary’s issues, as ever, concern tactics, survival, and opportunities for fraud as executrix.

Luann, 10/2/08

Luann and TJ badgered Perpetual Tool Brad into overbidding for some skeezy pay-for-play calendar scheme. Today’s strip mocks itself, so I don’t have to.

Mark Trail, 10/2/08, 8/23/06

In Mark Trail, love rarely gets beyond, “More pancakes, please!” Could this time be different? Wetland-drainin’ cityfolk Sue and Charlie apparently have romantic history. But while Sue can still touch her cheek (or perhaps her ear), it appears she’s lost touch with her heart. Poor Charlie avenges the dual humiliations of sexual rejection and a dead-end career in a family-owned business on that innocent hallway Pothos. In the end, though, it won’t matter. It’s a hardy plant.

Hey, does Charlie look familiar? He should! Here’s Hoyt, the Chicken-kickin’ Beekeeper from the awesome Molly epic of 2006:

Hoyt is a kind of secular saint among Trailfans — he helped set in motion a complex narrative involving bears both pet and arrow-assed, Kelly Welly, mobs of bloodthirsty but ultimately lazy upright rural folk (an apparent Pluggers crossover), one-upsmanship on the Rain of Frogs from the Book of Exodus, and many other delights. For this, and after a meek apology, he was allowed to keep his hair.

We’ll see if Charlie fares as well.

— Uncle Lumpy

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The Comics Curmudgeon 2008 Fall Fundraiser



Hey, it’s the twice-a-year fund drive for the Comics Curmudgeon! Click the panel above or here to help keep the Comics Curmudgeon strong and independent. Thank you!

Update: Links to individual banners are available on the Contributions page. Scroll to the bottom (not too fast!) and click away — collect all 48!

— Uncle Lumpy

Every long-running comic has a special bag of tricks to keep things fresh. Let’s see how they do it!

Crankshaft, 10/1/08

When your lead character is a bully and a jerk, you need to rebuild sympathy from time to time or you’ll lose your audience. One way is to show the character’s Secret Pain — Ed’s was illiteracy, beaten to suffering death in an endless PSA a few years back. Another approach is to reveal a Heart of Gold beneath the crust, and here we are. Lovable Senior Ed Crankshaft uses a flashback to teach upstart pitcher Dwayne that “you’ve got to want it more than anything” or some such claptrap, and incidentally reveal that he, Ed Crankshaft, personally, single-handedly, and heroically helped Jefferson Jacks break the color barrier for the Toledo Mudhens back in ’47.

The sneery guy in the middle panel is “Beanball” Bushka, probably Coach Bull’s dad. We know he must be a bully and a jerk, because he acts exactly like the adult Crankshaft.

Family Circus, Judge Parker, 10/1/08

A little gratuitous skin from time to time helps maintain audience interest!

Sally Forth, 10/1/08

Oh, Sally, Sally — this is not the way.

— Uncle Lumpy

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Apartment 3-G, 9/19/08

I suppose that eventually the Apartment 3-G Terrible Downward Spiral Of Clean-Cut Middle-Class People Into Addiction storyline will cease to be transcendently awesome — presumably, right around the time that Ray’s squirrelly histrionics cause Alan to take a hard look at his life and straighten up and fly right and earn the love of a good woman and blah blah blah — but let’s enjoy the ride to its fullest while we can, OK? It’s actually sort of like drug abuse in that way: deep down, you know that you can’t sit in your room giggling over phrases like “Please! I hurt so bad!!” forever, but that doesn’t stop you from being taken up by the highs in the here and now. Perhaps even better than Ray’s sincere yet laughable description of the pangs of withdrawal in panel two is his expression in panel three: he seems to be thinking, “Hey! I know! I could reduce Alan to a powdered form and then smoke and/or snort him! All my problems would be solved!”

Hi and Lois, 9/19/08

The idea that innocent baby Trixie might look out the window and learn about the emotional pain and verbal abuse that lurks behind her suburb’s cheery facade is actually rather poignant; her look of wide-eyed horror in the final panel says volumes about what it’s like to discover that people who love each other can wound one another far more deeply than any strangers could. But bringing in the brother-sister metaphor just makes the whole thing creepy and weird. I like my domestic degradation without the unsettling incest overtones, thank you very much.

Sally Forth, 9/19/08

Watch out, Sally! She can quote the Last Starfighter, and she rests her fingers delicately on her collarbone, Ted-style! Also, it may be an optical illusion, but it appears that she might kind of have breasts? HOW CAN YOU COMPETE WITH THAT?

Beetle Bailey, 9/19/08

Oh, Freud would have a field day with this.