Archive: Slylock Fox

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Judge Parker, 6/24/09

I know, I know: Judge Parker has been absolutely bonkers for the last month and I’ve been AWOL on it. To be honest, I’ve had a hard time coming to grips with just how I’m supposed to feel about the wacky tale of Sophie’s cheerleading coup, and the constellation of forces that are coming together to bring that about. I’ve been suspicious of her move to seize the cheerleading captaincy from the start, not least because of my experiences as a high school nerd and outcast. Because, when I was taunted and humiliated by socially elite members of the football team, I never dreamed of winning the quarterback’s position as a result of some complex calculus involving my heretofore undiscovered skills and my antagonists’ poor grades; I just wanted the football team to die, in a fire.

So anyway, I’ve been kind of hoping that Sophie would pull off some absurdist stunt at cheerleading tryouts that would completely undermine the legitimacy of cheerleading as an institution in the minds of her high school classmates. But instead now we are confronted with Sophie’s Long Study Hall Of Despair, when we learn that she really has wanted to cast off her lilac pantsuit all along and seize the mantle of Queen Bee of Whatever High. More to the point, she’ll presumably buck up after this little pep talk and manage to leap and twirl her way to improbable victory, with the support of her incredibly wealthy parents, two celebrities who are on her side because they want to purchase a horse from said wealthy parents for millions of dollars, and the school administration, proving that those nasty cheerleading moms are entirely correct in all their accusations.

Slylock Fox, 6/24/09

I’ve always assumed, based on the gross incompetence of most of his schemes, that Count Weirdly graduated dead last in his class at Mad Science Academy, and yet here he is at the controls of what appears to be a fully functional combination time machine/hover-bubble. Of course, I’d have a human factors engineer look at that control panel before he starts mass-manufacturing these for production — hope you enjoy your visits to the years 2, 9, 3, 27, 10, 6, 41, and 29, kids!

More troubling, though, is the sight of the Count and Slylock and Max laughing it up together as they voyage through time to snicker at a doomed race. Could their long-standing and constant animosity be a front for some deeper scheme or grift? Or did Weirdly first make a solo voyage to the past in order to change history and create a new timeline in which he and the detective team were best buds? It would be rather poignant if all he ever wanted in all his scheming was real friends.

The Lockhorns and Dilbert, 6/24/09

I couldn’t really tell you what these comics are supposed to mean, because Dilbert is using words I don’t understand and the Lockhorns is using phrases that I’m pretty sure the writer doesn’t understand, but I’m worried at the underlying implication, which is that the U.S. government, alarmed at declining tax revenues during the recession, is looking to audit high-earners and is targeting cartoonists. Faulty intelligence again, I’m afraid.

Beetle Bailey, 6/24/09

“Also, he shat himself, but I think that’s just because he was drunk.”

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Slylock Fox, 6/22/09

Generally speaking I feel the members of Slylock Fox’s rogues gallery are unjustly persecuted by the snoopy vulpine detective. Slylock’s pursuit of Cassandra obviously goes much deeper than his ostensible law-enforcement goals; Reeky Rat‘s only crime is dreaming bigger than his low place on the social totem pole would allow; even Slick Smitty deserves our sympathy as the lone human in a nightmarish world of talking animals.

But Shady Shrew … well, even when the evidence against him is thin, it’s hard to work up a lot of sympathy for him, because he’s obviously a creepy loser. His schemes aren’t executed with any panache or style, let alone competence. Take today’s strip, for instance. Doesn’t insurance fraud seem kind of pedestrian and degrading when compared to the thefts and mad science perpetrated in this feature? This is even less creative than his moon rock scam. And the wrong-way bending of the guardrail indicates a lack of attention to detail that makes whole sordid episode not even sporting. Slylock, presumably disgusted, has no doubt pulled out his magnifying glass so as to beat the shrew about the head and neck with it until the uniformed officers arrive.

Beetle Bailey, 6/22/09

I’m sure we could all have lots of fun coming up with homoerotic interpretations of the dialogue here, but that would distract us from the real issue, which is: what the hell is the deal with Sarge’s right hand. I guess his thumb is supposed to be tucked inside his clenched fingers, but really, who makes a fist like that? And honestly, it looks less like “thumb is tucked inside clenched fingers” and more like “no thumb at all and fat, rubbery tentacles curled up at the end of his palm.” It gives me the heebie-jeebies.

Apartment 3-G, 6/22/09

I’m sorry, what if Margo is right about everything? Margo should punish you for even thinking that she might be wrong about anything, ever, but the universe will obviously exact a terrible vengeance on you for your act of heretical Margo-doubt in short order, Nora.

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Gil Thorp, 6/18/09

I’m kind of shocked that the word “sexting” has actually made an appearance in a Gil Thorp word balloon, but I’m not at all shocked by the context, in which Dr. Pearl (is this her first appearance under the new artist?) appears to be half-assedly principaling, since she presides over Milford High, America’s most half-assedly educated school. “But Dr. Pearl, I’m pretty sure this doesn’t constitute sext–” “I’m sorry, didn’t you hear what I said? This term appeared in major newsweeklies that my doctor leaves in his waiting room! I just learned the word last week and I’m going to use it, by God.”

Meanwhile, the prospect of Bill Hawkins being charged with a felony for not actually forwarding a totally non-revealing picture of his girlfriend in a cardboard bikini made me confront how little I actually like him. The problem with this story is that it revolves around the battle for the baseball team’s soul between Shep Trumbo, who is an unlikeable douchebag, and Bill Hawkins, who is noble and upright and good and also wholly unlikeable. I suppose if I had to choose which one I’d rather see go to jail, it would be Shep, but really if the whole team could just be dragged off by Milford’s jackbooted thugs and thrown in a dark hole where none of us would ever have to see them again, I’d be a happy guy.

Slylock Fox, 6/18/09

This is definitely the most intriguing Six Difference drama I’ve seen in some time. Let’s start with the obvious: the fellow in the chair has a charming mustache, the sinister lunatic in the child’s drawing does not. This implies two separate potential background narratives. Either chair-baldy is the kid’s stepfather, and, just in time for father’s day, he’s being passive-aggressively presented with a drawing of the absent bio-father; or the child has decided that the terrible voice in his head, the one that tells him to burn and kill, is his “real” father, and has drawn a picture of what he thinks this demonic force would look like: something like the man everyone says is his father, but with an evil grin and a glazed, murderous look in his eyes. Either way, the kid’s vacant smile and stab-ready crayon are things to worry about.

Family Circus, 6/18/09

Speaking of multiple wonderful possibilities, are we meant here to believe that Big Daddy Keane is actually trying to offer a skateboarding clinic, only to fail utterly and humiliate himself? Or has Billy just left his skateboard out in the middle of the floor, resulting in an accidental tumble, spun as “look, Daddy’s showing me how to skateboard!” in the usual self-serving darnedest-things-saying way of the Keane Kids? Either way, Daddy is going to be terribly injured, and this is pretty much the greatest Family Circus week ever.