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Did you know that they publish comic strips every day? It’s true! And without the heroic efforts of Josh Fruhlinger, some of them would slip through unread and worse, unmocked. Unless you’re willing to rise from bed every morning for the rest of your life with the words, “OK, gotta go read Luann now.”

Yeah, I didn’t think so!

Keeping the Comics Curmudgeon fresh and up to date is hard work! So twice a year I host a fundraiser to thank Josh for the time, effort, and talent he puts into giving newspaper comics every bit of the attention and respect they so richly deserve.

To contribute by credit card or PayPal, click the banner at the top of the page and follow the instructions on the secure PayPal site. To contribute by check or money order, email uncle.lumpy@comcast.net and I’ll reply with an address. Full details here, along with an index to the 50 banners in rotation at the top of the page and banners from previous fundraisers — more than 400 in all!

Thank you, generous readers!


— Uncle Lumpy

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Funky Winkerbean, 10/14/13

In exchange for his miserable wordplay, Jim Kablichnik gets a ticket to Becky’s miserable event — a capsule illustration of Westview economics.

In the standard microeconomic model, transactions equilibrate supply and demand. But the classical supply curve occupies only the upper-right of four quadrants, the one where supply and demand both have positive value. An entire economy can be built in the lower-left quadrant, if a group of people can be found who will ignore their own satisfaction and seek instead to maximize one another’s misery. Sound like anybody we know?

Here’s how it works – Kablichnik creates misery de novo, just as a miner might bury valuable metal or a cobbler ruin shoes. In panel 2, Jim demands that Becky “get”, or accept, his miserable utterance — but Becky is prepared! Her ticket-currency* stores the misery accumulated during hours of student band practice, and she quickly agrees to an exchange that she rightly calls ‘even.’ Jim also accepts, no doubt musing how he’s going to stick the ticket to Les Moore, whose industrial-scale misery production puts him at the pinnacle/nadir of Westview’s upper/under class.

Trade dynamics need to be worked out. A misery-based economy like Westview could be an appealing trading partner if we can overcome two problems: First, the town offers nothing of value to exchange for the misery that utility-based economies would heap on it. Second, the liquidity of the Westview Misery Market is limited by the number of tears those poor souls can cry.

It’s possible we could create leverage through mockery. After all, multiple voices can ridicule a single underlying misfortune, thus securitizing misery at one remove and dodging the liquidity problem. The misery that comes from being mocked is added value. I see a market-making role for the Comics Curmudgeon here. What could possibly go wrong?

* Denominated in “Montonis”, where 1 Montoni = the aggregate misery generated by consuming a medium plain pizza at the named establishment (no take-outs or deliveries). The “Free Pizza” coupon is the basic unit; a “Battle of the Bands” ticket is worth 5 Montonis and a “Lisa’s Legacy Run” credential 10.

Mark Trail, 10/14/13

“I pick up a piece of recognizably modern technology for the first time in half a century and this happens! That’s it — I’m going back to the steam semaphore for good!

Dick Tracy, 10/14/13

“Your horns are — fake. Power Rays — fake. Eyes, teeth, hair, family, biography, memories — fake, fake, fake! Are you sensing a theme here, sweetheart? ‘Cause I haven’t got all day for this.”

“[Crap, how hard do I have to pull on this thing to get some smoke out of it? I swear if Morrie’s slipping those damn Parodis in with my Cubans again I’ll put the Havana punch to his other pinky.]”

“You were engineered out of some kid and goo from the bottom of Moon Maid’s wreck. You’ve been brainwashed and there’s a GPS in your abdomen. Crooks did it to steal my 1970’s magnetism technology, which you can pick up at The Sharper Image these days for about eighty-nine bucks.”

“[Dammit, I want to smoke this thing, not drink it. That stupid magnetic humidor Jameson got me at Sharper Image must be on the fritz again.]”

“They picked you because nobody cared enough to keep an eye on you or report you missing. Kidnappers took a shortcut. That’s what crooks do – you blame ’em?”

“[That warranty’s got to be in here someplace and it damn well better be a full year or I’ll ruin their sorry asses. Again.]”

“Somebody bring me a damn toothpick!”

Gasoline Alley, 10/14/13

I don’t know whether this speaks worse of Clovia or Slim. The dog’s not entirely blameless either.


— Uncle Lumpy

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Barney Google and Snuffy Smith, 10/13/13 (panels)

What is the relationship between art and reality — among the dreamer, the dream, and the dreamed? Magritte gives us one viewpoint, Snuffy Smith another.

Snuffy reveals how the artist not only creates a work but selects its audience, source of his reputation and claims to authenticity. He is his own best example: once a mere usurper in Barney Google’s strip, he now asserts his own membership in the very elites who read his Sunday “throwaway panels” in their expansive flatlander newspapers or on high-falutin’ electronic devices. With a delicate hanky-dab at his nose, he rises — refined and redefined, “Snuffy” no more!

Judge Parker, 10/13/13 (panel)

Boy, this lady sure hates hats, doesn’t she?

Beetle Bailey, 10/13/13

You know, there are plenty of attractive and willing human partners around, like Sarge’s Sgt. Louise Lugg, Beetle’s Miss Buxley, and Killer’s groupies, but it’s all surrogates with these guys: robots, trees, and again with Beetle’s beloved pillow here. I’m just saying that’s kind of messed up.

Mary Worth, 10/13/13 (panel)

We had to wait a long time to see Mary’s head impaled on a fish, but I think we can all agree it was worth it.

Mutts, 10/13/13

Mooch ignores the comics’ prohibition of “FLICK” to imply that Earl has sex with his own parasites.


— Uncle Lumpy