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Mark Trail, 10/5/12

Sorry I haven’t been keeping you up to date on Mark Trail, in which a heavily armed Cherry resolved the whole Rusty-napping situation without Mark ever needing to show up! Given the level of real danger that was involved with Rusty being kidnapped by criminals and threatened with death, I’m a bit puzzled as to what “exaggeration” she thinks Rusty will resort to in recounting the story to Mark. “Mark, I saw these men killing sheep from a plane, and then they kidnapped me, and they were going to turn me into a sheep and then shoot me from a plane, so they taught me sheep language, but I summoned all the other sheep, who ate the men! Plus there were aliens!”

Family Circus, 10/5/12

The Billy (age 7) Family Circuses are usually mostly interesting to me because of the layers of family-narrative artifice involved (Jeff Keane continuing his father’s tradition of pretending to draw as his brother), but today’s family psychodrama is much more straightforward: remember, if you don’t like your mother, your kids will notice.

Spider-Man, 10/5/12

Looks like all’s well that’s ended will in Spider-Man! And now you get to contemplate whether you’d rather make sex to a snake or a spider, yuck.

Shoe, 10/5/12

Ha ha, it’s funny because Shoe is emotionally dead, unable to feel either joy or pain!

Rex Morgan, M.D., 10/5/12

Meanwhile, in Rex Morgan, the thingy came off and there’s water everywhere and June is pissed.

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Mark Trail, 9/24/12

I had almost forgotten that Rusty had blabbed to Cherry and Doc about the sheep-killing miscreants, which I think is understandable because it’s natural to assume that even Rusty’s adopted family would want to keep interactions with him to a minimum. But anyway, this explains my initial confusion at Cherry calling the men stealing away her ward as “poachers” rather than, say, “kidnappers.”

Though considering the Trails’ wildlife focus and their apparent refusal to legally adopt Rusty or send him off to school or anything one normally does with a child, perhaps poaching is a good word for what Cherry thinks is happening here. “Oh, no, those poachers have got the Rusty! It’s a particularly ugly specimen so it’s not much of a trophy, but its pelt and gallbladder could probably sell for good money on the black market.”

Gil Thorp, 9/24/12

Whoah, you guys, it turns out that Irish people don’t just call cookies “biscuits”; they also have different parenting styles! I see some cross-cultural misunderstanding hijinks in the making here. Is the lesson of this fall plot going to be “American teens have their souls crushed because their parents don’t want them to die” or “foreigners don’t love their children enough to smother them”? Or will we lose interest three quarters of the way through the season when the Mudlarks make a half-assed run at the playdowns?

Marmaduke, 9/24/12

I have to admit, I’ve been reading Marmaduke for years and never knew that the next-door neighbor guy’s name was “Snyder.” Do you think that’s always been the case or that the cartoonist finally decided to give him a distinct identity within the strip? Oh, also, the dark light of a thousand demons is about to start radiating out of Marmaduke’s skull, so all humans need to cower indoors if they want to survive.

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Crankshaft, 9/18/12

One of my favorite things about Crankshaft (sorry, don’t have time to figure out all the levels of irony involved in my spontaneous decision to apply the word “favorite” to Crankshaft there) is that even when its characters are just bandying dumb puns back and forth, their facial expressions make it look like they’re the last survivors of a genocidal assault that took their entire families. Normally this is just a result of the vague sense of anxiety and unease that pervades the Funkyverse, but in this case Jeff is probably worried, with some justification, that his wife’s mind is going, and she’ll soon be an irritated, malaprop-spouting shell of her former self, just like her father.

Hagar the Horrible, 9/18/12

We often see the same situations over and over again in Hagar the Horrible, and as I’ve said before, I’ve come to believe that this is because events in the strip are playing out in a nonlinear narrative. Thus, every castle raid shown is really just a different moment in a single castle raid, every strip that features Hagar and Eddie in the dungeon is a different moment in the same stretch of imprisonment, etc. “Hagar and Eddie on a desert island” is another repeating trope, but I don’t believe I’ve ever seen the rest of the crew of Hagar’s ship similarly marooned with them. Still, I’m going to assume that this is again the same shipwreck, and what we’re seeing here is the early days of their time as castaways, before the turn to cannibalism.

Archie, 9/18/12

The silent, expressionless way Archie’s mom is staring at her son is pretty harrowing. Don’t complain about static cling, Arch; you’re lucky she can operate the dryer at all, as she appears to have taken many, many quaaludes.

Family Circus, 9/18/12

“Either that or the house is on fire, and the two of us will soon sizzle and cook like bacon in a pan. We’ll just have to wait and see! Have I mentioned that my home life is so oppressive that I don’t care whether I live or die?”

Funky Winkerbean, 9/18/12

“And then, once the paralytic drugs we’ve laced the wedding cake with kick in, we’ll laminate everybody and hang them on walls all over the house! We’ll never be lonely again!”

Mary Worth, 9/18/12

“Take you, for instance! You’re terribly crippled emotionally. I can tell by the way you dress. Which, admittedly, is visible. All too visible, frankly.”

Mark Trail, 9/18/12

HA HA RUSTY YES CRY BITTER, FLESH-COLORED TEARS