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Mother Goose and Grimm, 9/3/25

Hopefully by now you are all well acquainted with my beef with how comic strips depict the relationship between dogs and fire hydrants, but if you’re not, my beef is as follows: in real life, dogs pee on fire hydrants because they like to pee on vertical surfaces and fire hydrants are often a good place to let your dog do that so that they don’t do it on a tree or your neighbor’s house or whatever, and it’s weird that cartoon dogs treat them as a strong equivalent to toilets. Today’s Mother Goose and Grimm is particularly weird to me because of the way Grimm is like, “Oh no! I really have to pee, but the only object I could reasonably pee on, a fire hydrant, is nowhere to be found,” but looming in the middle of the panel is a mailbox, extremely visible but unmentioned in the dialogue, upon which in real life a dog would absolutely pee without a second thought. What exactly are we meant to take from this scene? Is it deliberately ambiguous, and we’re supposed to contemplate whether Grimm’s biological needs are going to outweigh his reticence to deface government property? Or is this simply the result of a sponsorship deal with the U.S. Postal Service, executed in one of the worst ways imaginable?

Mary Worth, 9/3/25

“Or are you thinking about mummifying your father and I after our deaths in the Egyptian fashion, removing our brains through our noses; then making an incision along our flanks with an Ethiopian stone blade so you can remove our organs and place them in canopic jars before rinsing our abdominal cavities with palm oil and filling them with spices; and then finally placing our preserved corpses in a massive pyramid built along the Hudson on the Upper West Side? Because that would be nice, actually.”

Pardon My Planet, 9/3/25

Pardon My Planet’s takes on women tend to be in the ballpark of “women love to demand expensive consumer goods from men,” so before today I would’ve encouraged an attempt to dig into women’s real thoughts and desires to find out what they actually want. But after seeing this panel, I gotta say: never try to do that again, because, Jesus Christ. Have you heard they like to shop? Maybe do some strips on that.

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Mary Worth, 8/31/25

Yes, Olive, you “saw” that she was struggling in the water, with your “eyes,” as she was immediately in “front” of you as you stood on the beach just a few “yards” away from her. Note also that Olive is implying heavily that she had pity on Vicki, the least bad of the bully gang. If it had been Naomi, that girl would be smugly rolling her eyes on the ocean floor right now. You notice they’re quoting John 15:13 and not Matthew 5:44!

Heathcliff, 8/31/25

Much as I enjoy seeing Surf Mummy in action, I must be a pedant here and object to the way he apparently sinks into the earth. If he were the disembodied spirit of a dead Egyptian prince, then I would accept this depiction of his return to the Duat, the land of the dead. However, as a physical mummy, he should instead be shown returning to his sarcophagus, whether that’s inside a pyramid or in some rock-cut tomb in the Nile Valley, then drawing the lid closed behind him.

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Hagar the Horrible, 8/30/25

Look, despite the fun (“fun”) I have here detailing all the anachronisms in Hagar the Horrible, I do in fact get that the anachronisms are the point of the strip, that it’s not a realistic historical drama but rather a comedy where half of its whole deal is “What if these Vikings acted like modern middle-class people sometimes?” But I feel like to pull this off you do need to maintain a narrative unity just within an individual strip, whereas today’s installment is all over the map. Hagar napping in a hammock in his fenced suburban yard? Sure, why not. Hagar interacting with some culture that uses smoke signals for communication, like Native Americans or medieval Italians? Fine, Vikings actually encountered both groups. But put the two together and it’s a mess. A mess, I say! Are we to believe that Hagar lives in Newfoundland or Apulia now? I don’t buy it!

Mary Worth, 8/30/25

Wow, Mary spends weeks gushing about how unique Olive is and all the special gifts she has, and then the girl does one little reincarnation fantasy at the Met and all of the sudden Mary’s like “Damn, this kid is a weirdo. Those bullies were right!”