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Mary Worth, 7/4/22

Happy Fourth of July, everyone! Did you bake a cake for America’s birthday, like Mary did? No? Well, I guess you don’t love America enough, do you? (This sentiment still stands if Mary bought a sheet cake for America’s birthday at the supermarket, which at second glance she probably did. It’s the thought that counts!)

Dick Tracy, 7/4/22

For America’s birthday, Dick Tracy is reminding us that only AMERICA has sent manned spacecraft to the moon, where they discovered that the moon was inhabited by Moon People, one of whom, in this classic storyline, eloped with his son and Dick chased them there and then he did the extremely American thing where he’s shocked, shocked to learn that other countries (or planets) also have immigration laws and they apply to Americans. If I were in prison on the moon, I personally would want it to be an electric prison, because I’m pretty sure you need electricity to generate the oxygen I need to live, but that’s just me.

Pluggers, 7/4/22

Sorry to get political on here on the Fourth of July, everybody! Don’t get too mad at me! Reed Hoover also got political by claiming that hip-hop, an American-born art form that is one of the U.S.’s most popular cultural exports, isn’t welcome at a plugger’s Independence Day celebration. You can get mad at him all you want, but sadly it won’t do you any good.

Beetle Bailey, 7/4/22

Beetle Bailey is here to remind us that like any ideology, patriotism and nationalism are shaped by material conditions. When urging the U.S. to ease starvation in post-WWII Germany, General Lucius Clay, head of the occupying forces, famously said, “There is no choice between being a communist on 1,500 calories a day and a believer in democracy on a thousand.” The quantities here have shifted somewhat, but the point stands.

The Lockhorns, 7/4/22

The Lockhorns, meanwhile, invert the classic aphorism and make the political personal, every day. There’s no room for ideology in Leroy and Loretta’s world: everything gets crushed into interpersonal misery by the intense gravitational field of their mutual loathing.

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Dennis the menace, 6/29/22

There are so many questions this panel raises — like where are any of these people and why is Henry wearing a suit jacket in the same … room? area? zone? … where a guy is lifting weights and is Dennis talking about his dad’s heart or his esophageal sphincter or what — but the one that truly pushes me over the edge is that Dennis is standing on what appears to be an ottoman. And why? The answer appears to be “so the various bits of clip art can all be in the frame together” but there’s already no real sense of where any of these people are in physical space so that seems wildly unnecessary. Just move Henry up a few inches. Or down! It doesn’t matter! Nothing matters!

Pluggers, 6/29/22

You know what does matter, though? Working so that America’s infrastructure becomes ADA compliant as our population ages unstoppably into pluggerdom. It’s good for pluggers and frankly good for all of us if physical mobility becomes easier. No notes on this one!

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The Lockhorns, 6/20/22

A fun thing to do with the comics (for certain limited definitions of “fun,” but those limited definitions are pretty important for a self-proclaimed curmudgeon of the comics genre, so here we are) is to try to work backwards from the scenario we see in any given panel to see how contrived the implied setup truly is. Like, at a fundamental level, why are the character where they are, other than “it’s necessary for this joke”? Today I’m particularly curious about why Loretta is hanging out in the (surprisingly spacious, considering her constant harping on Leroy’s low salary) bathroom with Leroy while he incorrectly takes his medicine, but standing with her back to him. The answer, I guess, is that she knew he would screw up this basic task of self-care and wanted to be there to enjoy that when it happened, but was idly looking at the toilet (?) until the proper moment, for plausible deniability. Normal people wouldn’t follow their spouses into the bathroom, of course, but I think we’ve long established that neither Leroy nor Loretta are normal, so I’ll let it side.

Pluggers, 6/20/22

Today’s Pluggers is great because it could plausibly be about how pluggers are continually baffled and agitated by virtually all developments in society since 1978, or about the fact that they are increasingly deaf. But, really, do we even have to choose? “Pluggers don’t want to hear you telling them about modernity and fortunately they can’t” is a perfect Pluggers caption, to me.

Rex Morgan, M.D., 6/20/22

“And if those superheroes kidnapped people at gunpoint, took them back to their filthy hovel, and got quack doctors to do experimental brain surgery on them, probably with whatever power tools were available? Truly that would be a utopia!”