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Shoe
Archie, 7/23/10

You know, I actually feel kind of bad for Archie, here; his facial expression in the third panel, though partly masked by terrifying clown makeup, really is sort of heartbreaking. Archie’s a nice guy! He only wants the best for Veronica, at least when he doesn’t want the best for Betty! Why won’t Mr. Lodge love him, or at least treat him with grudging affection? With all the mean things Mr. Lodge has said to Archie’s face, you’d think there wouldn’t be anything he could say behind his back that would make Archie so upset, but there he is, looking like the saddest clown in Riverdale.
Archie, you don’t want this heartless plutocrat’s love! Look, he’s currently smugly reading his own autobiography, Me! Not that he wrote it himself, mind you; he passed that duty off to one of his minions, which is why the author photo is actually of the money he used to pay the ghostwriter.
Shoe, 7/23/10

The Inappropriate Goggle Eyes of Horror are one of my most favorite visual tics in Shoe; these occur when a Shoe character encounters a typical lame Shoe punchline and reacts with a facial expression more appropriate for someone who just heard news about a fresh round of genocide. It’s common enough that it’s actually sort of remarkable when you don’t see it, as you don’t here. What is the distinction between punchlines that elicit goggle-eyed horror and those that do not? They all seem equally tepid. Is Shoe’s desperate alcoholism just such a well-known part of his personality that nobody bothers to react to it? Or is the Perfesser even more numb to life’s horror than usual today?
Crock, 7/23/10

Well, I guess this week’s evidence is that Crock is just going to hurl headfirst into horror and nightmare. If they’re going to go that route, I wish they’d do a little fact-checking. For instance, generally speaking germs are used in germ warfare rather than chemical warfare.
Mary Worth, 7/23/10

Oh, God, please let the Oedipal Complex be one of the Freudian theories Mary disputes. “Tell me about your mother. She and I are probably about the same age. Do I resemble her … physically?”
To avoid having this conversation, Dr. Mike has clearly chosen suicide. In panel one, his face twists in pain as he plunges that pencil he was playing with into his gut; in panel two, his expression goes slack as he finally finds peace.
Herb and Jamaal, 6/28/10

Naïve idealist that I am, when I saw this cartoon I thought that Herb and Jamaal had finally returned to the “Herb’s barber is wracked with anxiety” plotline it had launched a year and half ago. But upon consulting my archives, I discovered that it “returned” to the plot only in the sense of just rerunning the strip. I suppose that certain avant-garde critics might consider a sort of eternal narrative repetition to be advancing a plotline in a sense, if the core message of that plotline is that all human existence is a series of sorrows that will recur over and over again.
Mary Worth, 6/28/10

A blind date in which one of the parties locks a death-grip onto the upper arm of the other immediately upon the first in-person meeting is either an awesome blind date or a terrifying blind date, depending on your predilections. Also, the way Jenna and Mike are pointing their heads in random not-at-each-other directions in panel two might seem to indicate that the phrase “blind date” should in this case be taken literally.
Judge Parker, 6/28/10

“Thank God you’re back in the good old US of A, Ned, home of the best burgers in the world! Excuse me a moment while I drench this one with enough tomato-flavored corn syrup to make it edible.”
Shoe, 6/28/10

Ha ha, it’s funny because his wife’s soul is being tormented with fire, in hell, because of her sins!
Apartment 3-G, 5/22/10

Oh, I do appreciate Margo’s expression of chin-rubbing craftiness in today’s final panel; it makes me think that perhaps there’s more to her terrible Lu Ann-needling than mere cruelty/paranoia. Could it be that she’s hoping to turn her blonde roommate into a foul-mouthed rage-ball — into someone more like Margo, in other words? The motivation could simply be that Margo thinks that being Margo-like is the best; however, she could also be attempting to drive Lu Ann into a dark mood that will translate into dark, moody, and highly profitable paintings. These roiling, abstract works will be the talk of a New York art scene bored with fern prints, and will make for a specialized series of greeting cards marketed to goths as well.
Shoe, 5/22/10

It’s too bad that this poor avian family cannot afford x-rays, because my first thought at seeing the Perfesser’s bizarre anatomy in panel one — the engorged torso, the limp, tiny, dangling legs — is to wonder what his skeletal structure might look like.
Barney Google and Snuffy Smith, 5/13/10

Today’s Snuffy Smith offers a sad commentary on the economic dysfunction deeply ingrained in America’s rural shantytowns. Like virtually everyone in Hootin’ Holler, Susie’s boyfriend has neither the skills nor the opportunities to acquire meaningful work, and presumably makes ends meet through some combination of government assistance and chicken theft. But far from being ashamed of her new beau’s lack of economic utility, Susie can only see that this makes him like all the other men she knows in this isolated, impoverished valley. If he did have a job of some sort, that would mark him out as unusual and possibly a threat to the social order, so she’s happy with him as he is, and the cycle of poverty continues.
It’s also possible that I’m misreading this, and that “does he have an occupation” is hillbilly dialect for “is he constipated.”
Luann, 5/13/10

In typical irritating Luann fashion, Luann and Quill have been discussing the question of whether the two of them will record some pointless CD of Quill’s crappy songs together, with about as much effort and angst going into the negotiations as was involved in the Camp David Accords. What possible good could come of this, we thought? But now — now! — we can see that payoff: a hilarious misunderstanding based on stilted, unnatural dialogue! HEY-yo! I look forward to all of Pitts High buzzing over the fact that Quill and Luann are TOTALLY HAVING THE SEX. There will be tears, rage, confusion, and, eventually, learning.
Shoe, 5/13/10

I’m not sure what exactly this is supposed to mean, other than the usual “Buzz the old man-bird is senile and belligerent and says hilariously inappropriate things,” but it did make me contemplate the fact that, since birds don’t have sphincters at the tail end of their digestive system, they just sort of poop uncontrollably whenever the urge strikes. Which means that the Bird Senate of Shoe-world is encrusted with bird shit at all times! As is every other setting in this strip! OK, now I’ve grossed myself out. Thanks a lot, Buzz.
Crock, 4/9/10

You have to give a certain amount of credit to a strip that knows its limitations. Crock has repeatedly shown that it is unable to depict supposedly attractive characters as anything other than mangle-faced horrors; thus, to preserve our illusions about Otis’s adorable little girlfriend, it’s best that the strip has chosen to position her so she remains mostly unseen. If only the creators had been wise enough to similarly hide the fact that none of them have a clue what the hell an “iTunes” is.
Shoe, 4/9/10

I know that being one of the birds of Shoe means being cynical and world-weary about everything, but I hope that if I’m ever informed that the spirit of a dead loved one is attempting to communicate with me from beyond the grave, I would respond with something other than a belligerent “So?”
Pluggers, 4/9/10

Pluggers know that “copy editing” is for big city elitists.
Rex Morgan, M.D., 3/5/10

Say, it’s been a while since we checked in with the refugee-ne’er-do-well wackiness in Rex Morgan, hasn’t it? Today, it seems that Sarah is learning a valuable lesson: that, when you’re in a position of power over someone in a desperate situation, they might give up their most treasured possessions “voluntarily,” just to buy themselves a few more days or hours of survival! This knowledge will come in handy for her future career as a brutal post-apocalyptic warlord.
Unfortunately, Toots is about to learn a similar important lesson as well: when you’re a refugee and not in a position to be economically productive, you only have so many things you can trade away for safety. When Sarah comes back for more — and she will — the pickings will get slimmer, and fast. “Say, little girl, do you want this stripey shirt? All the other kids will think you’re super cool if you’ve got a stripey shirt? Hmm, how about this half-empty paint can? No? Uh … dirty socks? I found some dirty socks over here…”
Barney Google and Snuffy Smith, 3/5/10

As part of my policy about being open and honest with you when normally unfunny comics make me laugh, I admit to being amused that Elviney is reading a publication called Tabloid Doin’s. However, the fact that Loweezy is perusing something with a much more conventional name confounded me a bit, and forces me to conclude that in fact Tabloid Doin’s is some kind of trade magazine detailing the hiring and firing of editors at various tabloid publications. “I don’t care what you say, Loweezy! Ain’t nobody in this latest crop o’ gossip maven ken hold a candle to Bonnie Fuller!”
Gil Thorp, 3/5/10

The Mudlark basketball team has once again failed to even make the playdowns, which I’m frankly glad about, as it allows me to focus more energy on Coach Thorp’s increasingly twee wardrobe. First a sweater vest, now some kind of cardigan, complete with a chunky piping? I love it, Gil!
Shoe, 3/5/10

Roz’s interlocutor is in fact a bird; so, while she shouldn’t be anxious about using her wings to travel through the air, being killed, dismembered, fried, and eaten is a legitimate concern.
Jumble, 3/5/10

I kind of love how enthusiastic this guy is about fresh-ground cheese. “Yes! It adds so much flavor! Look, look at this cheese I’m pointing to, everyone! Oh my God, it completely transforms the dish! Keep adding more! Pile on the cheese! Don’t ever stop!”
Pluggers, 3/5/10

You’re a plugger if the terrifying secret government lab that created the man-animal abomination that you are saved money by grafting variously sized torsos onto identical sets of cloned legs.