Archive: Slylock Fox

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Mary Worth, 11/23/08

When I was a kid, my dad told me stories about his high school health teacher, who in turn told my dad a set of entirely fanciful “facts” in the course of his education, the most prominent and horrifying of which was that a gila monster could bite on to your hand and become attached so firmly that the only way to get it off would be through surgery. Though this was explicitly presented to me as not reflecting the true nature of that gentle if venomous desert lizard, it was nevertheless an extremely vivid image that my younger self spent far too much time dwelling upon.

I bring this up now because the usual metaphors used to illustrate a tenacious, unyielding grip — a vise, say, or a bear trap, or a pit bull — are wholly inadequate to describe just how tightly Mary is clinging to the dark secret Lynn hinted at earlier this week. There’s only one way to put this: Mary has locked her jaw around the thin limb of Lynn’s hidden scandal like the nonexistent gila monster of my father’s health teacher’s fevered imagination. She will remain just within Lynn’s earshot indefinitely, hissing orders that she give up the goods, until we finally learn just what dark stain on the poor young woman’s soul is making her so very unhappy. PREDICTION: It will turn out to not be particularly interesting.

Judge Parker, 11/23/08

Judge Parker has played the sexy lady card in this storyline particularly hard, in that the main guest stars are a sexy lady detective wearing leather pants and a sexy lady stripper wearing very little. But as we see illustrated today, the only thing more exciting than a sexy lady is a deadly, stab-happy sexy lady (though perhaps that’s a shade less exciting than a sexy lady wired with explosives.) Anyway, this will no doubt very quickly devolve into some sort of terrible pit of Mike Hammer-style faux-noir misogyny, with the only question being whether Sam trots out his detached monologue about dames gone wrong and the men they drag down with them at central booking or the morgue.

Slylock Fox, 8/23/08

There is no doubt that comics reflect the essential zeitgeist of their age. For instance, when Slylock Fox was launched in 1987, I’m sure most of the crimes Sly was called on to solve involved muggings, petty thefts, break-ins — the sort of threats that obsess the middle classes when they fear that the violence of the proletariat is on the verge of boiling over. Today, though, as our economy begins to unravel and we are told that the culprits are the captains of industry and financial instruments that we can’t begin to understand, our fox detective is more and more frequently being called on to prevent corporate flim-flam jobs and, as we can see here, shady real estate deals. If only Slylock were appointed to head the SEC, maybe we’d be able to get to the bottom of our financial woes, through careful and deliberate ratiocination and/or information that we aren’t actually privy to.

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Mary Worth, 11/16/08

Could this be Mary’s most complex and multilayered meddle yet? As our protagonist openly disparages Frank’s parenting/coaching style and instills thoughts of independence in Lynn’s head, she’s clearly set events in motion that can only end in tears, and murder (not necessarily in that order).

I really and sincerely hope that, as the dialog balloon in panel one seems to indicate, Mary actually said “Knock! Knock!” aloud rather than physically rapping her knuckles on Lynn’s door. Also, this strip indicates the extent to which Lynn’s will has been broken; any person with a healthy sense of self would react to the vision in panel two with either wild gunfire or terrified flight into the woods.

Beetle Bailey, 11/16/08

Even with my standards for Beetle Bailey being as low as they are, I have to say that I find Sarge’s cavalcade of vaguely ethnic disguises confusing and unsettling. The fake Frenchman is at least speaking real French, and it does seem likely that a genuine cowboy would know at least a smattering of Spanish, but that clown is creeping me out. Why is he spouting Fred Flinstone’s beloved and almost certainly trademarked catchphrase? And why does he say “thank you” in what appears to be pidgin Italian? Does the author think that Italians are all cartoon-obsessed clowns? Because that would be one of the most obscure ethnic stereotypes trotted out in living memory.

Slylock Fox, 11/16/08

The answer to today’s puzzle is far too small for me to read — I’m assuming it involves boring old science — but I’m frankly less concerned about what Slylock and Max will drink than with what they’ll eat. The fish skeleton on the shore indicates what their first island-side dinner consisted of; the way the tentacles of the no doubt anthropomorphic octopus in the stewpot appear to still be wriggling as the castaways’ makeshift fire boils it alive is profoundly unsettling. That sea turtle will be the next into the pot, followed no doubt by Max himself.

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Slylock Fox, 11/3/08

Oh, today’s Slylock is a cavalcade of delights. I love Shady’s early-20th-century finery, and the Fat Cats dressed in various period costumes — we’ve got Roaring ’20s Plutocrat Cat and Bespectacled Early ’60s Cat, along with a more contemporary counterpart. Plus there’s Shady’s framed “Inventor of the Year” certificate, which was obviously created in Print Shop. Mostly, though, I like Shady’s invention, which bears a suspicious resemblance to an always-cool pillow gadget I thought up in junior high, when I had even less engineering knowledge than I do now. If only I had had a pair of stripey pants, I could have gotten venture funding!

Mark Trail, 11/3/08

Sue, Charlie isn’t going to be able to leave you alone if you keep slamming the door into his chest. “Go home, Charlie! [SLAM] We’ll talk [SLAM] in the office [SLAM] tomorrow!” “Eargh, Sue, I think you just broke my sternum! Please stop! [SLAM] Aarrrrgggh….”

Meanwhile, Sneaky is heading out for his date with dog-drowning destiny. Realizing that he may need to be identified later, he pauses between panels two and three to put on his collar.

Spider-Man, 11/3/08

“We know who did it! It’s the guy who’s unconscious and immobilized at the scene of the crime, where the stolen goods are nowhere to be seen! God, I love being a cop! It’s so easy!