Comment of the Week

Wizard of Id has succintly portrayed the difference between Early and Late Medieval modes of warfare: while his Dark Age companions are boldly dying for their feudal lord, the canny Sir Rodney treats war as a profession. He is akin to the condottiere who would dominate later Italian warfare. That sly look and crooked smile is that of a man who sees human corpses as nothing more than money in his purse, arguably far more barbaric than his predecessors. But trebuchets suck for hitting single guys so we're probably about to see Sir Smarty Pants' insides in spite of his historically progressive role.

m.w.

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The life of a second-string comics blogger isn’t all shootouts and fresh new characters. Most days it’s just slappin’ down the html and takin’ care of business:

Six Chix, 7/17/14

Like poking fun at an easy target:

Hey lady, “testing the limits of humor” usually means the upper limits.

Apartment 3-G, 7/17/14

Or two:

When Jack comes back on foot to lead the mare away, Tommie will regret having brought up the whole “glue” thing. Unless he takes Carol, too.

Gil Thorp, 7/17/14

Marking the return of cherished themes:

Hey, Kaz’s earring is back, and ready for its closeup! Hi, Mimi — how are the kids? Still enjoying 2005? Potatoes, again?

Slylock Fox (panel), 7/17/14

Reporting industry news:

Slylock Fox auteur Bob Weber Jr. has signed on with Walker-Browne Amalgamated Humor Enterprises LLC as a gag writer for Hägär the Horrible, and apparently has designs on drawing it, too.

Dick Tracy, 7/17/14

Keeping folks up to date on beloved comics:

“Daddy” Warbucks’ and Tracy’s crews look for Annie, last known to have been hostage to the Butcher of the Balkans, who The Great Am believes is now in touch with dangerous spy Axel. B.O. Plenty gets a letter with a vintage stamp and no ZIP Code, which gets passed to Dick, who recognizes the handwriting as Annie’s and the contents as the coded location of an abandoned island nuclear facility, to which he boats in the middle of the night.

Tracy wakes up in a hospital in Simmons Corners in June, 1944, recovering from shell-shock sustained at Anzio. Annie says they’ve known each other for years, and that he’s the main police presence in the town where she lives with Ma and Pa Silo.

Tracy seems to have disappeared from the present. An informant tells Warbucks his boss Axel had him collect the Butcher and Annie, but dies mysteriously before he can say where he took them.

Back in 1944, Tracy is discharged. Annie becomes alarmed when he says “there’s a war on”, thinking he believes what she apparently thinks is a charade. She visits Professor Kenyon, for whom she does chores, then gets a call at the Silos’ asking her to meet with the owner of the local newspaper — a Mr. Axel. Axel, a sinister sort, interrogates Annie about Professor Kenyon and his experiments, then sends her away to listen to the “Belinda” radio show, which seems to have a hypnotic effect on people.

Family Circus, 7/17/14

And, of course, slagging on little Jeffy Keane:

“Why no, Jeffy, I don’t know how he could say such a thing! You have totally achieved every bit of your full potential. There, there ….”


Update: Happy 40th birthday, Josh, and congratulations on completing The Enthusiast!

— Uncle Lumpy

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Crankshaft, 7/16/14

Real Life: “Lillian, Ed was careless taking care of your plants and there was water damage. We brought in a crew to fix it, and added the wine cooler to thank you for being so understanding.”

Crankshaft: “Ed was an asshole, so now he and I are both going to be assholes, because comedy.”

Shoe, 7/16/14

Birds do not work like that, number eight hundred forty-three.

Skyler has a lifetime of this ahead of him; he knows it; and it shows.

Mother Goose and Grimm, 7/16/14

Most dogs sniff asses. Ralph kisses them.

Phantom, 7/16/14

Sanctimonious “No Kill” heroes like Batman, the Lone Ranger, and the Phantom talk themselves into knots trying to, y’know, KILL SOMEBODY without violating their precious “codes.” It makes you long for the moral clarity and no-nonsense efficiency of a Savarna, or an April Bowers-Parker, or … or … both of them together. Yup, long for them. Mmm …


— Uncle Lumpy

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Mark Trail, 7/15/14

“Call me Dirty, Mark, like my good friends do! You like me, Dirty, don’t you? I sure like it when you talk to me: Dirty. And I will be Dirty for you any time and any way you want!”

In Carson McCullers’ novel The Heart Is a Lonely Hunter, people constantly confide their deepest feelings in a character who is utterly incapable of understanding or helping them in any way. Mark Trail is exactly like that, but with more elephants and no actual hunting.

Archie, 7/15/14

One of the paradoxes of experimental psychology is that the paradigm for secondary reinforcement, which increases the frequency of a behavior, is identical to the paradigm for frustration, which decreases it. Both paradigms present stimuli associated with a primary reinforcer such as, oh, say, sexual release, but withhold the primary reinforcer itself. Archie, of course, has been dining out on that association for a long time – start with a stereotypically porny setup like oiling up your mostly-naked girlfriend by the pool in front of her angry but impotent father, but then cut to some dumb pratfall. Readers know it won’t deliver — it hasn’t for 72 years, and never will. I guess I’m just asking why anybody reads Archie, since it’s not porn.

Lockhorns, 7/15/14

It didn’t occur to me before seeing this panel today that Leroy and Loretta Lockhorn are never shown in casual daywear — check it out. Apparently in the absence of any sort of emotional connection they had been relying on deeply-ingrained but meaningless rituals to keep their lives from flying apart: parties, dress codes, weekly visits with Dr. Pullman, and other mechanisms to sustain their empty, endless charade of a marriage. It worked, too, right up until the instant Loretta said, “We’re not staying together for the sake of appearances — any more.”

Judge Parker, 7/15/14

OK, I’m posting this partly because the dialog doesn’t make any sense – it’s like the authors pasted in speech-bubbles left over from other strips so they could make a tee time:

“What do you know about the fashion business?”
“Lots! Remember Jules? He didn’t know anything about business!”
“We met at an institute design class! That has nothing to do with business either!”
“But Jules was into shoes! Are we even talking about business any more?”
“That’s what design classes are for … to spark a passion! For shoes! Or Jules! Certainly not business — or design, whatever that is!”

But I mostly want to express my irritation that we are probably headed for a do-over of one of the most grindingly dull Judge Parker stories of all time, justly ignored in Josh’s retrospective: Mopey Eurotrash Jules and Sam the Man with a Business Plan. Spoiler: Sam winds up with a million-dollar stake in Jules’ business just because.


— Uncle Lumpy